Expression 3 - ETC

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Using DMX In to set levels You may be interested in having your cues or other recorded elements reflect DMX In levels continuously, not just at one point in time. The console allows you to do that by recording with reference to focus point 0, which always contains the current value of DMX In after DMX In is enabled. The following procedure illustrates how to record a cue with reference to focus point 0. Assume for this example that DMX In was enabled for channels starting at channel 600. Keystrokes: Action: 1. Press [Stage]. Selects the stage display 2. Press [Channel] [6][0][0] [Thru] [6][9][9] [Focus Point] [0] [Enter]. 3. Press [Record] [Cue] [5] [Enter]. Sets channels 600 - 699 at levels established in focus point 0 Records cue 5 Viewing DMX In View DMX In channels with the Fader display. Either choose option 5 when entering the Fader display or press [S1], Select Fader, while you’re in the Fader display. 296 Chapter 24 Control interfaces
Time Code You can create and run shows that respond to programming based on a standardized time code protocol. The console responds to both the Society of Motion Picture and Television Engineers (SMPTE) time code and to the Musical Instrument Digital Interface (MIDI) time code. The console generates an internal time code in both MIDI and SMPTE protocols. The console also can run under external MIDI and SMPTE control, but an option must be installed for external SMPTE (external MIDI capability is standard for the console). You can have both clocks simultaneously enabled so that if ever the external time code signal stopped during a show, the internal clock would immediately take over preserving the continuity of your show. Shows designed for time code control consist of a series of events that play back at specified times. A time code program also has a modifiable loop time that ranges from 5 seconds to 24 hours. There can be as many as 3,000 time code events, with each event having any combination of cues loaded in faders (one cue for each of two faders), a submaster bump button or a macro. Up to 32 events may be executed in a single frame. 10 Event times are expressed in hours, minutes and seconds, with each second broken down into frames. For example, 01:25:30:17 is one hour, twenty-five minutes, thirty seconds and seventeen frames. Two frame rates are available in addition to the default rate, which is thirty frames per second. Setting time code frame rate If you are running the time code program from an external clock with internal clock backup, make sure the internal clock has the same frame rate as the external clock. The default frame rate is 30 frames per second, but you can reset it to 24 or 25 frames per second. Reset it as follows: Keystrokes: Actions: 1. Press [Setup]. Selects Setup display 2. Press [6], Options Settings, and press [Enter]. 3. Press [6], Time Code Frames Per Second, [Enter]. Selects Options Settings menu Prompt reads: Select Time Code frames per second, then press ENTER (1 = 30 fps, 2 = 25 fps, 3 = 24 fps) 4. Press [2] [Enter]. Time code frame rate is set to 25 fps 10. If more than 32 events are assigned to the same frame, only the first 32 are executed in that frame, with the rest executing in the following frame or frames until all those assigned are used up. In manual mode, however, only one event is executed when step is pressed, regardless of how many are assigned. <strong>Expression</strong> 3 User Manual, v.3.1 297
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Expression 3 Lighting control syste
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Chapter 3 System settings . . . . .
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Chapter 7 Cues . . . . . . . . . .
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Chapter 13 Submasters . . . . . . .
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Chapter 17 Subroutines . . . . . .
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Resetting loop time . . . . . . . .
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xiv Contents
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Using this manual This manual provi
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Output level conventions The consol
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Effects LTP channels may be used to
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The Only command Only is a particul
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Help from ETC Technical Services If
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Colors in displays The colors in wh
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Stage The Stage display shows you t
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Tracksheet The Tracksheet display s
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Park Press [Park] to bring up the P
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Time Code List display You may togg
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22 Chapter 2 Monitor displays
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Setting the number of dimmers Your
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Setting default fade times The cons
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Setting default sneak time The snea
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Enabling the template The procedure
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Set grandmaster type You may set th
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Setting the clock The console clock
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Latitude, longitude, time zone Choo
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About Show About Show provides you
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Selecting one-to-one patch The one-
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Proportional patching Normally, dim
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Labeling dimmers The console allows
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Assigning a profile to a dimmer You
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Clear All For a selected profile, C
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About Dimmer The About Dimmer displ
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Setting dimmers to Dimmer Doubling
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Chapter 5 Setting channel levels Se
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Channel Attributes display The Chan
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Channel data type Channels normally
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Selecting channels Using the keypad
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Sneak Sneak is a softkey that you c
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About Channel The About Channel dis
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Chapter 6 Adding moving lights to t
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Personality Setup You may find that
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Viewing a personality 1. From the P
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Patching one fixture or a fixture r
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Attribute Setup Personalities may h
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Encoder Setup Level setting control
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Change individually 1. Select an en
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Working with fixtures Following are
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Fixture focus with Solo Solo provid
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Chapter 7 Cues The console allows y
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Recording functions Viewing cues Th
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Working with cues in Stage When rec
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Recording a cue with a single fade
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Recording a cue with a wait time Wa
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Follow [Follow] allows you to play
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Linking a macro to a cue [Link] all
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Labeling cues The console allows yo
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Modifying cue attributes If all you
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Updating a recorded cue You need no
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Copying cues You may want to use a
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Chapter 8 Track Track record functi
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Recording modified cues The differe
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Inserting cues If you insert a cue
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Pulling channels in Blind If you in
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If cue 5 is an allfade, the console
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Chapter 9 Multipart cues A multipar
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Converting a standard cue to a mult
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Editing a multipart cue Once you ha
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Modifying fade and wait times If yo
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Chapter 10 Playing back cues The co
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Fader keys Clear Each fader is equi
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Fader Status display The fader stat
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Controlling fades manually The cons
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Quickstep Quickstep allows you to r
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Chapter 11 Groups The console allow
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Recording a group using Solo You ca
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Working with groups in Stage Displa
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Updating a recorded group You need
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Deleting groups Delete a group from
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Modifying cues or submasters You ca
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Chapter 12 Focus points When workin
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Recording a focus point using Solo
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Updating focus points Update allows
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Editing a focus point in Blind You
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Deleting focus points Delete a focu
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Chapter 13 Submasters Expression 3
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Changing type You can change a subm
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Playback Submaster List The Playbac
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Submaster LEDs Each submaster bump
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Adding fade and dwell times You can
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Adding a rate to a submaster Rate a
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Inhibitive submasters Creating A re
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Modifying submasters in Blind To mo
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Updating a recorded submaster You n
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Labeling submasters The console all
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Copying cues or groups to submaster
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Chapter 14 Command display lists an
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Submaster List The Submaster List o
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7. Press [5] [Enter]. Specifies 5 s
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Deleting a group Follow this proced
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Working in spreadsheets Cues, subma
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Replacing channel level As a conven
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Deleting submasters After entering
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Editing groups You may edit a group
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Editing focus points You may edit a
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Chapter 15 Park Park allows you to
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Unparking dimmers Unparking one dim
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Unparking channels Unparking one ch
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Parking fixtures You can park fixtu
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Chapter 16 Effects An effect is a c
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• Out - The Out Time, the meaning
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Notes on working with steps in Blin
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Adding grouped channels The procedu
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Adding groups or focus points The p
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Modifying the effect You can set ch
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Deleting channels Delete channels f
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Deleting steps You may delete any s
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Modifying step timing and levels On
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Changing upfade, dwell and downfade
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Setting a random effect rate An eff
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Chapter 17 Subroutines A subroutine
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Style steps The following playback
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15. Press [S1], Step, [6] [Enter].
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Chapter 18 Macros A macro allows yo
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6. Press [5] [Enter]. Inserts a fiv
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Follow these steps to create a macr
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Using submasters in macros Submaste
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Modifying macros Editing mode In th
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Auto channel check This macro autom
Page 259 and 260: Chapter 19 Link lists Console chann
Page 261 and 262: Setting up a link To set up a link,
Page 263 and 264: Moving a link Use [S7], Move Link,
Page 265 and 266: Chapter 20 Diskette functions This
Page 267 and 268: Contents of the showfile When you w
Page 269 and 270: Read show components only Frequentl
Page 271 and 272: Chapter 21 Printing The console sup
Page 273 and 274: Printouts available Following is a
Page 275 and 276: Chapter 22 Clear functions This cha
Page 277 and 278: Clear and reset options Following i
Page 279 and 280: Chapter 23 Dimmer monitoring ETC co
Page 281 and 282: Error messages ETCLink provides mes
Page 283 and 284: ETCLink displays Dimming system sta
Page 285 and 286: Dimmer status The Dimmer Status dis
Page 287 and 288: Record Loads procedure Perform a Re
Page 289 and 290: Clear Loads procedure Clear Loads a
Page 291 and 292: Working with Sensor backup looks A
Page 293 and 294: Chapter 24 Control interfaces The c
Page 295 and 296: ETC MIDI message formats The follow
Page 297 and 298: MIDI Show Control (MSC) The console
Page 299 and 300: MSC commands transmitted by the con
Page 301 and 302: Examples In the examples below, MSC
Page 303 and 304: Enabling / disabling real time prog
Page 305 and 306: Referencing sunrise or sunset To re
Page 307 and 308: Copying real time programs Keystrok
Page 309: Keystrokes: Action: 1. Press [Setup
Page 313 and 314: Creating a program by definition Us
Page 315 and 316: Sorting/recording events Events are
Page 317 and 318: Deleting time code events Follow th
Page 319 and 320: Moving time code events Follow this
Page 321 and 322: Or, if you wanted to move ten event
Page 323 and 324: External time code clock When runni
Page 325 and 326: Remote macros The remote macro feat
Page 327 and 328: Chapter 25 Accessories Chapter 25 p
Page 329 and 330: Designer’s Worksheet Designer’s
Page 331 and 332: 6. To create a new region or to add
Page 333 and 334: Clearing regions You must be in Des
Page 335 and 336: Full Tracking Backup Full Tracking
Page 337 and 338: Moving Lights Module The Moving Lig
Page 339 and 340: Appendix A Installation This append
Page 341 and 342: AC Input fuses These fuses are cont
Page 343 and 344: Understanding ETCNet The console is
Page 345 and 346: Setting Expression 3 DIP switches A
Page 347 and 348: Configuring the DMX512 ports Once y
Page 349 and 350: Mouse or other pointing device Expr
Page 351 and 352: Installing a printer The console su
Page 353 and 354: 6. Turn on your console or Remote I
Page 355 and 356: Installing Remote Focus Unit The Re
Page 357 and 358: MIDI Out/Thru jumper setting You ma
Page 359 and 360: Wiring remote macros There are thre
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Characteristics of the display The
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Appendix B References DIP switches
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RIU DIP switch and jumper settings
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Remote Video Interface settings The
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Appendix C Error messages Full Trac
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ETCLink errors ETCLink is the commu
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Appendix D Showfile Each showfile s
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Appendix E Softkeys Stage [Stage] S
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Blind/Submaster Sub List Sub SS 1 B
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Setup - System Settings (1) [Setup]
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Setup - Real Time Programs (12) Rea
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Appendix F Time and location United
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Appendix G Specifications Electrica
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• Control keypad features • Sub
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Profile functions • Profiles may
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Appendix H Declaration of Conformit
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Appendix I Limited Warranty Electro
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and one-half percent) per month lat
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Index Numerics 16-bit About Channel
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Delete Cues . . . . . . . . . . . .
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Category. . . . . . . . . . . . . .
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Macros, Designer’s Worksheet Clea
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Remote dimmer, patching . . . . . .
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Fixture . . . . . . . . . . . . . .
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Expression 3 - ETC

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