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Expression 3 - ETC

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Blackout cues and tracking<br />

Sometimes you may add a channel to a sequence of cues that have not<br />

used that channel yet. For example, you may want to add a channel to all<br />

cues in a scene. To do this, add the channel to the first cue in the<br />

sequence and use Track to track the change through the remaining cues.<br />

However, the last cue in sequence may be a blackout cue. When you track<br />

the channel, the new channel tracks until it runs into a different recorded<br />

level. To ensure that channels are not tracked through a blackout cue,<br />

make the blackout cue an allfade cue. An allfade cue assigns a level of<br />

zero to any unused channels. This blocks any potential tracks. An allfade<br />

cue also clears the opposite fader.<br />

Figure 6 displays what happens when we track channel 5 through the<br />

sequence when cue 5 is a regular crossfade cue.<br />

Chan 1 Chan 2 Chan 3 Chan 4 Chan 5<br />

Cue 1 50 FF<br />

Cue 1.1 50 50 FF<br />

Cue 2 50 FF 00 FF<br />

Cue 3 50 FF FF FF<br />

Cue 4 25 FF FF FF FF<br />

Cue 5 00 00 00 00 FF<br />

Figure 6<br />

Channel 5 tracks through cue 5 and ruins the blackout cue.<br />

114 Chapter 8 Track

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