Expression 3 - ETC

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Chapter 7 Cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Cue types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Crossfade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Allfade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Blocking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Subroutine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Recording functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Viewing cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 The oversized show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Creating the oversized show . . . . . . . . . . . . . . . . . . . . . . . . . 88 Playing back an oversized show . . . . . . . . . . . . . . . . . . . . . . . 88 Working with cues in Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Recording a cue in Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Working with cues in Blind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Recording a cue in Blind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Recording a cue with a single fade time . . . . . . . . . . . . . . . . . . . . 91 Recording a cue with split fade times . . . . . . . . . . . . . . . . . . . . . . 92 Recording a cue with a wait time . . . . . . . . . . . . . . . . . . . . . . . . . 93 Recording cues with Link and Follow . . . . . . . . . . . . . . . . . . . . . . 94 Link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Follow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Create playback loops with Link and Follow . . . . . . . . . . . . . . 96 Linking a macro to a cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Recording a cue using Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Using Solo to record selected lights . . . . . . . . . . . . . . . . . . . . 98 Using Solo as a pre-recording filter . . . . . . . . . . . . . . . . . . . . . 98 Labeling cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Modifying a recorded cue live . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 Modifying channels in a cue . . . . . . . . . . . . . . . . . . . . . . . . . 100 Modifying cue attributes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Updating cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 Using Update to modify fade rate . . . . . . . . . . . . . . . . . . . . . . . . 104 Deleting cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Copying cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 Inserting cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Chapter 8 Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Track record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Using record to create tracks . . . . . . . . . . . . . . . . . . . . . . . . 108 Recording modified cues . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Inserting cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Blackout cues and tracking . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Using Tracksheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Chapter 9 Multipart cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Recording a multipart cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Converting a standard cue to a multipart cue . . . . . . . . . . . . . . . 119 Wait times in multipart cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Editing a multipart cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Deleting a part from a multipart cue . . . . . . . . . . . . . . . . . . . 121 vi Contents
Adding, deleting and modifying channels . . . . . . . . . . . . . . . 122 Using Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Modifying fade and wait times . . . . . . . . . . . . . . . . . . . . . . . 123 Chapter 10 Playing back cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Timed faders and LED displays . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Fader keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Go . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Playback Cue List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Fader Status display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Selecting cues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Playing a cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 Go to a different cue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 Controlling fades manually . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Manual override . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Rate override . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Quickstep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Chapter 11 Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 Recording a group in Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 Recording a group from a look on stage . . . . . . . . . . . . . . . . . . . 136 Recording a group using Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Working with groups in Blind . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Group mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Group Editing mode in Blind . . . . . . . . . . . . . . . . . . . . . . . . . 138 Working with groups in Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Displaying a group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Modifying a group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Updating groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Labeling groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 Deleting groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 Copying groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 Using cues and submasters as groups . . . . . . . . . . . . . . . . . . . . 144 Modifying cues or submasters . . . . . . . . . . . . . . . . . . . . . . . . . . 145 Chapter 12 Focus points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Recording a focus point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 Recording a focus point in Stage . . . . . . . . . . . . . . . . . . . . . 148 Creating a focus point from a look on stage . . . . . . . . . . . . . 148 Recording a focus point using Solo . . . . . . . . . . . . . . . . . . . . . . . 149 Working with focus points in Stage . . . . . . . . . . . . . . . . . . . . . . 150 Placing a focus point on stage . . . . . . . . . . . . . . . . . . . . . . . 150 Modifying a focus point . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Updating focus points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 Editing a focus point in Blind . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Labeling focus points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 Deleting focus points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Copying focus points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Setting levels with focus points . . . . . . . . . . . . . . . . . . . . . . . . . 156 <strong>Expression</strong> 3 User Manual, v.3.1 vii
Page 1: Expression 3 Lighting control syste
Page 4 and 5: Chapter 3 System settings . . . . .
Page 8 and 9: Chapter 13 Submasters . . . . . . .
Page 10 and 11: Chapter 17 Subroutines . . . . . .
Page 12 and 13: Resetting loop time . . . . . . . .
Page 14 and 15: xiv Contents
Page 16 and 17: Using this manual This manual provi
Page 18 and 19: Output level conventions The consol
Page 20 and 21: Effects LTP channels may be used to
Page 22 and 23: The Only command Only is a particul
Page 24 and 25: Help from ETC Technical Services If
Page 26 and 27: Colors in displays The colors in wh
Page 28 and 29: Stage The Stage display shows you t
Page 30 and 31: Tracksheet The Tracksheet display s
Page 32 and 33: Park Press [Park] to bring up the P
Page 34 and 35: Time Code List display You may togg
Page 36 and 37: 22 Chapter 2 Monitor displays
Page 38 and 39: Setting the number of dimmers Your
Page 40 and 41: Setting default fade times The cons
Page 42 and 43: Setting default sneak time The snea
Page 44 and 45: Enabling the template The procedure
Page 46 and 47: Set grandmaster type You may set th
Page 48 and 49: Setting the clock The console clock
Page 50 and 51: Latitude, longitude, time zone Choo
Page 52 and 53: About Show About Show provides you
Page 54 and 55: Selecting one-to-one patch The one-
Page 56 and 57:
Proportional patching Normally, dim
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Labeling dimmers The console allows
Page 60 and 61:
Assigning a profile to a dimmer You
Page 62 and 63:
Clear All For a selected profile, C
Page 65 and 66:
About Dimmer The About Dimmer displ
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Setting dimmers to Dimmer Doubling
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Chapter 5 Setting channel levels Se
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Channel Attributes display The Chan
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Channel data type Channels normally
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Selecting channels Using the keypad
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Sneak Sneak is a softkey that you c
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About Channel The About Channel dis
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Chapter 6 Adding moving lights to t
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Personality Setup You may find that
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Viewing a personality 1. From the P
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Patching one fixture or a fixture r
Page 89 and 90:
Attribute Setup Personalities may h
Page 91 and 92:
Encoder Setup Level setting control
Page 93 and 94:
Change individually 1. Select an en
Page 95 and 96:
Working with fixtures Following are
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Fixture focus with Solo Solo provid
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Chapter 7 Cues The console allows y
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Recording functions Viewing cues Th
Page 103 and 104:
Working with cues in Stage When rec
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Recording a cue with a single fade
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Recording a cue with a wait time Wa
Page 109 and 110:
Follow [Follow] allows you to play
Page 111 and 112:
Linking a macro to a cue [Link] all
Page 113 and 114:
Labeling cues The console allows yo
Page 115 and 116:
Modifying cue attributes If all you
Page 117 and 118:
Updating a recorded cue You need no
Page 119 and 120:
Copying cues You may want to use a
Page 121 and 122:
Chapter 8 Track Track record functi
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Recording modified cues The differe
Page 125 and 126:
Inserting cues If you insert a cue
Page 127 and 128:
Pulling channels in Blind If you in
Page 129 and 130:
If cue 5 is an allfade, the console
Page 131 and 132:
Chapter 9 Multipart cues A multipar
Page 133 and 134:
Converting a standard cue to a mult
Page 135 and 136:
Editing a multipart cue Once you ha
Page 137 and 138:
Modifying fade and wait times If yo
Page 139 and 140:
Chapter 10 Playing back cues The co
Page 141 and 142:
Fader keys Clear Each fader is equi
Page 143 and 144:
Fader Status display The fader stat
Page 145 and 146:
Controlling fades manually The cons
Page 147 and 148:
Quickstep Quickstep allows you to r
Page 149 and 150:
Chapter 11 Groups The console allow
Page 151 and 152:
Recording a group using Solo You ca
Page 153 and 154:
Working with groups in Stage Displa
Page 155 and 156:
Updating a recorded group You need
Page 157 and 158:
Deleting groups Delete a group from
Page 159 and 160:
Modifying cues or submasters You ca
Page 161 and 162:
Chapter 12 Focus points When workin
Page 163 and 164:
Recording a focus point using Solo
Page 165 and 166:
Updating focus points Update allows
Page 167 and 168:
Editing a focus point in Blind You
Page 169 and 170:
Deleting focus points Delete a focu
Page 171 and 172:
Chapter 13 Submasters Expression 3
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Changing type You can change a subm
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Playback Submaster List The Playbac
Page 177 and 178:
Submaster LEDs Each submaster bump
Page 179 and 180:
Adding fade and dwell times You can
Page 181 and 182:
Adding a rate to a submaster Rate a
Page 183 and 184:
Inhibitive submasters Creating A re
Page 185 and 186:
Modifying submasters in Blind To mo
Page 187 and 188:
Updating a recorded submaster You n
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Labeling submasters The console all
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Copying cues or groups to submaster
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Chapter 14 Command display lists an
Page 195 and 196:
Submaster List The Submaster List o
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7. Press [5] [Enter]. Specifies 5 s
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Deleting a group Follow this proced
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Working in spreadsheets Cues, subma
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Replacing channel level As a conven
Page 205 and 206:
Deleting submasters After entering
Page 207 and 208:
Editing groups You may edit a group
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Editing focus points You may edit a
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Chapter 15 Park Park allows you to
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Unparking dimmers Unparking one dim
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Unparking channels Unparking one ch
Page 217 and 218:
Parking fixtures You can park fixtu
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Chapter 16 Effects An effect is a c
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• Out - The Out Time, the meaning
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Notes on working with steps in Blin
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Adding grouped channels The procedu
Page 227 and 228:
Adding groups or focus points The p
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Modifying the effect You can set ch
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Deleting channels Delete channels f
Page 233 and 234:
Deleting steps You may delete any s
Page 235 and 236:
Modifying step timing and levels On
Page 237 and 238:
Changing upfade, dwell and downfade
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Setting a random effect rate An eff
Page 241 and 242:
Chapter 17 Subroutines A subroutine
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Style steps The following playback
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15. Press [S1], Step, [6] [Enter].
Page 247 and 248:
Chapter 18 Macros A macro allows yo
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6. Press [5] [Enter]. Inserts a fiv
Page 251 and 252:
Follow these steps to create a macr
Page 253 and 254:
Using submasters in macros Submaste
Page 255 and 256:
Modifying macros Editing mode In th
Page 257 and 258:
Auto channel check This macro autom
Page 259 and 260:
Chapter 19 Link lists Console chann
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Setting up a link To set up a link,
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Moving a link Use [S7], Move Link,
Page 265 and 266:
Chapter 20 Diskette functions This
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Contents of the showfile When you w
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Read show components only Frequentl
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Chapter 21 Printing The console sup
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Printouts available Following is a
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Chapter 22 Clear functions This cha
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Clear and reset options Following i
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Chapter 23 Dimmer monitoring ETC co
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Error messages ETCLink provides mes
Page 283 and 284:
ETCLink displays Dimming system sta
Page 285 and 286:
Dimmer status The Dimmer Status dis
Page 287 and 288:
Record Loads procedure Perform a Re
Page 289 and 290:
Clear Loads procedure Clear Loads a
Page 291 and 292:
Working with Sensor backup looks A
Page 293 and 294:
Chapter 24 Control interfaces The c
Page 295 and 296:
ETC MIDI message formats The follow
Page 297 and 298:
MIDI Show Control (MSC) The console
Page 299 and 300:
MSC commands transmitted by the con
Page 301 and 302:
Examples In the examples below, MSC
Page 303 and 304:
Enabling / disabling real time prog
Page 305 and 306:
Referencing sunrise or sunset To re
Page 307 and 308:
Copying real time programs Keystrok
Page 309 and 310:
Keystrokes: Action: 1. Press [Setup
Page 311 and 312:
Time Code You can create and run sh
Page 313 and 314:
Creating a program by definition Us
Page 315 and 316:
Sorting/recording events Events are
Page 317 and 318:
Deleting time code events Follow th
Page 319 and 320:
Moving time code events Follow this
Page 321 and 322:
Or, if you wanted to move ten event
Page 323 and 324:
External time code clock When runni
Page 325 and 326:
Remote macros The remote macro feat
Page 327 and 328:
Chapter 25 Accessories Chapter 25 p
Page 329 and 330:
Designer’s Worksheet Designer’s
Page 331 and 332:
6. To create a new region or to add
Page 333 and 334:
Clearing regions You must be in Des
Page 335 and 336:
Full Tracking Backup Full Tracking
Page 337 and 338:
Moving Lights Module The Moving Lig
Page 339 and 340:
Appendix A Installation This append
Page 341 and 342:
AC Input fuses These fuses are cont
Page 343 and 344:
Understanding ETCNet The console is
Page 345 and 346:
Setting Expression 3 DIP switches A
Page 347 and 348:
Configuring the DMX512 ports Once y
Page 349 and 350:
Mouse or other pointing device Expr
Page 351 and 352:
Installing a printer The console su
Page 353 and 354:
6. Turn on your console or Remote I
Page 355 and 356:
Installing Remote Focus Unit The Re
Page 357 and 358:
MIDI Out/Thru jumper setting You ma
Page 359 and 360:
Wiring remote macros There are thre
Page 361 and 362:
Characteristics of the display The
Page 363 and 364:
Appendix B References DIP switches
Page 365 and 366:
RIU DIP switch and jumper settings
Page 367 and 368:
Remote Video Interface settings The
Page 369 and 370:
Appendix C Error messages Full Trac
Page 371 and 372:
ETCLink errors ETCLink is the commu
Page 373 and 374:
Appendix D Showfile Each showfile s
Page 375 and 376:
Appendix E Softkeys Stage [Stage] S
Page 377 and 378:
Blind/Submaster Sub List Sub SS 1 B
Page 379 and 380:
Setup - System Settings (1) [Setup]
Page 381 and 382:
Setup - Real Time Programs (12) Rea
Page 383 and 384:
Appendix F Time and location United
Page 385 and 386:
Appendix G Specifications Electrica
Page 387 and 388:
• Control keypad features • Sub
Page 389 and 390:
Profile functions • Profiles may
Page 391 and 392:
Appendix H Declaration of Conformit
Page 393 and 394:
Appendix I Limited Warranty Electro
Page 395 and 396:
and one-half percent) per month lat
Page 397 and 398:
Index Numerics 16-bit About Channel
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Delete Cues . . . . . . . . . . . .
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Category. . . . . . . . . . . . . .
Page 403 and 404:
Macros, Designer’s Worksheet Clea
Page 405 and 406:
Remote dimmer, patching . . . . . .
Page 407:
Fixture . . . . . . . . . . . . . .
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