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Expression 3 - ETC

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Recording a focus point using Solo<br />

You can use Solo to selectively record into a focus point in the same<br />

manner as using Solo to selectively record into a cue or group. There are<br />

two ways to select channels with Solo: while clearing other independent<br />

channels such as other lights and while clearing ALL other channels,<br />

including non-independent ones. See Recording a cue using Solo, page<br />

98, for examples of these two procedures. When using those procedures<br />

to record channels into a focus point rather than into a cue, press the<br />

[Focus Point] key where they call for pressing the [Cue] key.<br />

When working with focus points, you are more likely to record selected<br />

attribute settings for moving lights than the intensities of ordinary fixtures.<br />

For example, you might use a focus point to store the pan and tilt settings<br />

for several lights aimed at a particular location on stage. Or, you might<br />

want to store the settings of colors for those moving lights so that you can<br />

use them later when recording cues, groups or submasters.<br />

Remembering that all attributes but the intensity of moving lights are<br />

independent, only the Solo procedure that can clear either of these allows<br />

you to select out moving light attributes such as position and color. This<br />

was procedure was explained under Using Solo as a pre-recording filter,<br />

page 98. An example of its use for moving lights is given below.<br />

Keystrokes:<br />

Action:<br />

1. Press [Blind]. Selects the Blind display mode<br />

2. Press [S8], Fixture, [1][0]<br />

[Thru] [1][5].<br />

Selects moving light fixtures 10<br />

through 15<br />

3. Press [Only] [Color]. Restricts the selection to the color<br />

attributes of these fixtures<br />

4. Press [Record] [Focus Point]<br />

[7] [Solo].<br />

Records the color attribute settings<br />

into cue 7<br />

<strong>Expression</strong> 3 User Manual, v.3.1 149

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