Expression 3 - ETC

More documents

Recommendations

Info

Setting levels with focus points Focus points are commonly used as level setting devices for fixtures, but they can be used to set levels for individual channels as well. First, create a focus point with a certain characteristic, such as all fixtures pointed to a particular location or set to a certain color. Then, set individual fixtures at the levels contained in the focus point as part of your recorded cues, groups or submasters. Since those recordings are linked to the focus point, if levels in the focus point change, the corresponding levels in the recordings change to match those in the focus point. For example, if you change the position levels in the focus point, any cues, groups or submasters recorded with reference to those fixture positions in the focus point change at the same time. Sometimes, however, you may want to use a focus point to set channel or attribute levels without preserving the link to the focus point. You can do that with a unique application of the [Level] key. The following procedure illustrates how to use a focus point in Blind to set the position attributes of fixtures, link the levels to the focus point and record the result into a cue. The footnote to the procedure explains how to accomplish the same purposes but without the link. 1. Press [Blind]. Selects the Blind display 2. Press [S8], Fixture, [1] [And] [2]. 3. Press [Only] [Position] [Focus Point] [6] [Enter] a . Selects fixtures 1 and 2 Sets the pan and tilt attributes of fixtures 1 and 2 at focus point 6 4. Press [Record] [1][0]. Records into cue 10 a. For level setting without a link, substitute [Level] for [Enter] in this step. 156 Chapter 12 Focus points
Chapter 13 Submasters <strong>Expression</strong> 3 provides you with 24 submaster sliders. A submaster is a group of channels recorded at proportional levels and controlled by a slider and a bump button. Submasters enable you to save complex looks you use frequently and play them back manually. They can also be used as building blocks when you create scenes, cues or other submasters. A channel may be included in any number of submasters. You can record a total of 240 submasters (24 submasters in each of ten pages of submaster memory). Each submaster slider is accompanied by a bump button and one or two LEDs. The slider allows you to bring up the submaster look manually. The bump button allows you to flash the submaster to its full recorded level or to begin its programmed fade, if it has one. The green LEDs show you which sliders control recorded submasters. The green LEDs in the bottom row glow when the submaster is an effect or pile-on type. A glowing red LED in the bottom row signifies a recorded inhibitive submaster. This chapter includes the following sections: • Submaster types • Submaster pages • Playback Submaster List • Submaster LEDs • Submaster bump buttons • Recording submasters • Creating inhibitive submasters • Modifying submasters in Blind • Modifying submasters in Stage • Using Update to modify submasters • Live control of a submaster • Controlling submaster fades manually • Labeling submasters • Copying submasters • Loading cues or groups to submasters • Copying cues or groups to submasters • Clearing submasters <strong>Expression</strong> 3 User Manual, v.3.1 157
Page 1:
Expression 3 Lighting control syste
Page 4 and 5:
Chapter 3 System settings . . . . .
Page 6 and 7:
Chapter 7 Cues . . . . . . . . . .
Page 8 and 9:
Chapter 13 Submasters . . . . . . .
Page 10 and 11:
Chapter 17 Subroutines . . . . . .
Page 12 and 13:
Resetting loop time . . . . . . . .
Page 14 and 15:
xiv Contents
Page 16 and 17:
Using this manual This manual provi
Page 18 and 19:
Output level conventions The consol
Page 20 and 21:
Effects LTP channels may be used to
Page 22 and 23:
The Only command Only is a particul
Page 24 and 25:
Help from ETC Technical Services If
Page 26 and 27:
Colors in displays The colors in wh
Page 28 and 29:
Stage The Stage display shows you t
Page 30 and 31:
Tracksheet The Tracksheet display s
Page 32 and 33:
Park Press [Park] to bring up the P
Page 34 and 35:
Time Code List display You may togg
Page 36 and 37:
22 Chapter 2 Monitor displays
Page 38 and 39:
Setting the number of dimmers Your
Page 40 and 41:
Setting default fade times The cons
Page 42 and 43:
Setting default sneak time The snea
Page 44 and 45:
Enabling the template The procedure
Page 46 and 47:
Set grandmaster type You may set th
Page 48 and 49:
Setting the clock The console clock
Page 50 and 51:
Latitude, longitude, time zone Choo
Page 52 and 53:
About Show About Show provides you
Page 54 and 55:
Selecting one-to-one patch The one-
Page 56 and 57:
Proportional patching Normally, dim
Page 58 and 59:
Labeling dimmers The console allows
Page 60 and 61:
Assigning a profile to a dimmer You
Page 62 and 63:
Clear All For a selected profile, C
Page 65 and 66:
About Dimmer The About Dimmer displ
Page 67 and 68:
Setting dimmers to Dimmer Doubling
Page 69 and 70:
Chapter 5 Setting channel levels Se
Page 71 and 72:
Channel Attributes display The Chan
Page 73 and 74:
Channel data type Channels normally
Page 75 and 76:
Selecting channels Using the keypad
Page 77 and 78:
Sneak Sneak is a softkey that you c
Page 79 and 80:
About Channel The About Channel dis
Page 81 and 82:
Chapter 6 Adding moving lights to t
Page 83 and 84:
Personality Setup You may find that
Page 85 and 86:
Viewing a personality 1. From the P
Page 87 and 88:
Patching one fixture or a fixture r
Page 89 and 90:
Attribute Setup Personalities may h
Page 91 and 92:
Encoder Setup Level setting control
Page 93 and 94:
Change individually 1. Select an en
Page 95 and 96:
Working with fixtures Following are
Page 97 and 98:
Fixture focus with Solo Solo provid
Page 99 and 100:
Chapter 7 Cues The console allows y
Page 101 and 102:
Recording functions Viewing cues Th
Page 103 and 104:
Working with cues in Stage When rec
Page 105 and 106:
Recording a cue with a single fade
Page 107 and 108:
Recording a cue with a wait time Wa
Page 109 and 110:
Follow [Follow] allows you to play
Page 111 and 112:
Linking a macro to a cue [Link] all
Page 113 and 114:
Labeling cues The console allows yo
Page 115 and 116:
Modifying cue attributes If all you
Page 117 and 118:
Updating a recorded cue You need no
Page 119 and 120: Copying cues You may want to use a
Page 121 and 122: Chapter 8 Track Track record functi
Page 123 and 124: Recording modified cues The differe
Page 125 and 126: Inserting cues If you insert a cue
Page 127 and 128: Pulling channels in Blind If you in
Page 129 and 130: If cue 5 is an allfade, the console
Page 131 and 132: Chapter 9 Multipart cues A multipar
Page 133 and 134: Converting a standard cue to a mult
Page 135 and 136: Editing a multipart cue Once you ha
Page 137 and 138: Modifying fade and wait times If yo
Page 139 and 140: Chapter 10 Playing back cues The co
Page 141 and 142: Fader keys Clear Each fader is equi
Page 143 and 144: Fader Status display The fader stat
Page 145 and 146: Controlling fades manually The cons
Page 147 and 148: Quickstep Quickstep allows you to r
Page 149 and 150: Chapter 11 Groups The console allow
Page 151 and 152: Recording a group using Solo You ca
Page 153 and 154: Working with groups in Stage Displa
Page 155 and 156: Updating a recorded group You need
Page 157 and 158: Deleting groups Delete a group from
Page 159 and 160: Modifying cues or submasters You ca
Page 161 and 162: Chapter 12 Focus points When workin
Page 163 and 164: Recording a focus point using Solo
Page 165 and 166: Updating focus points Update allows
Page 167 and 168: Editing a focus point in Blind You
Page 169: Deleting focus points Delete a focu
Page 173 and 174: Changing type You can change a subm
Page 175 and 176: Playback Submaster List The Playbac
Page 177 and 178: Submaster LEDs Each submaster bump
Page 179 and 180: Adding fade and dwell times You can
Page 181 and 182: Adding a rate to a submaster Rate a
Page 183 and 184: Inhibitive submasters Creating A re
Page 185 and 186: Modifying submasters in Blind To mo
Page 187 and 188: Updating a recorded submaster You n
Page 189 and 190: Labeling submasters The console all
Page 191 and 192: Copying cues or groups to submaster
Page 193 and 194: Chapter 14 Command display lists an
Page 195 and 196: Submaster List The Submaster List o
Page 197 and 198: 7. Press [5] [Enter]. Specifies 5 s
Page 199 and 200: Deleting a group Follow this proced
Page 201 and 202: Working in spreadsheets Cues, subma
Page 203 and 204: Replacing channel level As a conven
Page 205 and 206: Deleting submasters After entering
Page 207 and 208: Editing groups You may edit a group
Page 209 and 210: Editing focus points You may edit a
Page 211 and 212: Chapter 15 Park Park allows you to
Page 213 and 214: Unparking dimmers Unparking one dim
Page 215 and 216: Unparking channels Unparking one ch
Page 217 and 218: Parking fixtures You can park fixtu
Page 219 and 220: Chapter 16 Effects An effect is a c
Page 221 and 222:
• Out - The Out Time, the meaning
Page 223 and 224:
Notes on working with steps in Blin
Page 225 and 226:
Adding grouped channels The procedu
Page 227 and 228:
Adding groups or focus points The p
Page 229 and 230:
Modifying the effect You can set ch
Page 231 and 232:
Deleting channels Delete channels f
Page 233 and 234:
Deleting steps You may delete any s
Page 235 and 236:
Modifying step timing and levels On
Page 237 and 238:
Changing upfade, dwell and downfade
Page 239 and 240:
Setting a random effect rate An eff
Page 241 and 242:
Chapter 17 Subroutines A subroutine
Page 243 and 244:
Style steps The following playback
Page 245 and 246:
15. Press [S1], Step, [6] [Enter].
Page 247 and 248:
Chapter 18 Macros A macro allows yo
Page 249 and 250:
6. Press [5] [Enter]. Inserts a fiv
Page 251 and 252:
Follow these steps to create a macr
Page 253 and 254:
Using submasters in macros Submaste
Page 255 and 256:
Modifying macros Editing mode In th
Page 257 and 258:
Auto channel check This macro autom
Page 259 and 260:
Chapter 19 Link lists Console chann
Page 261 and 262:
Setting up a link To set up a link,
Page 263 and 264:
Moving a link Use [S7], Move Link,
Page 265 and 266:
Chapter 20 Diskette functions This
Page 267 and 268:
Contents of the showfile When you w
Page 269 and 270:
Read show components only Frequentl
Page 271 and 272:
Chapter 21 Printing The console sup
Page 273 and 274:
Printouts available Following is a
Page 275 and 276:
Chapter 22 Clear functions This cha
Page 277 and 278:
Clear and reset options Following i
Page 279 and 280:
Chapter 23 Dimmer monitoring ETC co
Page 281 and 282:
Error messages ETCLink provides mes
Page 283 and 284:
ETCLink displays Dimming system sta
Page 285 and 286:
Dimmer status The Dimmer Status dis
Page 287 and 288:
Record Loads procedure Perform a Re
Page 289 and 290:
Clear Loads procedure Clear Loads a
Page 291 and 292:
Working with Sensor backup looks A
Page 293 and 294:
Chapter 24 Control interfaces The c
Page 295 and 296:
ETC MIDI message formats The follow
Page 297 and 298:
MIDI Show Control (MSC) The console
Page 299 and 300:
MSC commands transmitted by the con
Page 301 and 302:
Examples In the examples below, MSC
Page 303 and 304:
Enabling / disabling real time prog
Page 305 and 306:
Referencing sunrise or sunset To re
Page 307 and 308:
Copying real time programs Keystrok
Page 309 and 310:
Keystrokes: Action: 1. Press [Setup
Page 311 and 312:
Time Code You can create and run sh
Page 313 and 314:
Creating a program by definition Us
Page 315 and 316:
Sorting/recording events Events are
Page 317 and 318:
Deleting time code events Follow th
Page 319 and 320:
Moving time code events Follow this
Page 321 and 322:
Or, if you wanted to move ten event
Page 323 and 324:
External time code clock When runni
Page 325 and 326:
Remote macros The remote macro feat
Page 327 and 328:
Chapter 25 Accessories Chapter 25 p
Page 329 and 330:
Designer’s Worksheet Designer’s
Page 331 and 332:
6. To create a new region or to add
Page 333 and 334:
Clearing regions You must be in Des
Page 335 and 336:
Full Tracking Backup Full Tracking
Page 337 and 338:
Moving Lights Module The Moving Lig
Page 339 and 340:
Appendix A Installation This append
Page 341 and 342:
AC Input fuses These fuses are cont
Page 343 and 344:
Understanding ETCNet The console is
Page 345 and 346:
Setting Expression 3 DIP switches A
Page 347 and 348:
Configuring the DMX512 ports Once y
Page 349 and 350:
Mouse or other pointing device Expr
Page 351 and 352:
Installing a printer The console su
Page 353 and 354:
6. Turn on your console or Remote I
Page 355 and 356:
Installing Remote Focus Unit The Re
Page 357 and 358:
MIDI Out/Thru jumper setting You ma
Page 359 and 360:
Wiring remote macros There are thre
Page 361 and 362:
Characteristics of the display The
Page 363 and 364:
Appendix B References DIP switches
Page 365 and 366:
RIU DIP switch and jumper settings
Page 367 and 368:
Remote Video Interface settings The
Page 369 and 370:
Appendix C Error messages Full Trac
Page 371 and 372:
ETCLink errors ETCLink is the commu
Page 373 and 374:
Appendix D Showfile Each showfile s
Page 375 and 376:
Appendix E Softkeys Stage [Stage] S
Page 377 and 378:
Blind/Submaster Sub List Sub SS 1 B
Page 379 and 380:
Setup - System Settings (1) [Setup]
Page 381 and 382:
Setup - Real Time Programs (12) Rea
Page 383 and 384:
Appendix F Time and location United
Page 385 and 386:
Appendix G Specifications Electrica
Page 387 and 388:
• Control keypad features • Sub
Page 389 and 390:
Profile functions • Profiles may
Page 391 and 392:
Appendix H Declaration of Conformit
Page 393 and 394:
Appendix I Limited Warranty Electro
Page 395 and 396:
and one-half percent) per month lat
Page 397 and 398:
Index Numerics 16-bit About Channel
Page 399 and 400:
Delete Cues . . . . . . . . . . . .
Page 401 and 402:
Category. . . . . . . . . . . . . .
Page 403 and 404:
Macros, Designer’s Worksheet Clea
Page 405 and 406:
Remote dimmer, patching . . . . . .
Page 407:
Fixture . . . . . . . . . . . . . .
show all

Expression 3 - ETC

Create successful ePaper yourself

Delete template?

Save as template?