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Pay TV phase three document - Stakeholders - Ofcom

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<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />

report is attached at Annex 9. Oxera’s study applies a conceptually appropriate<br />

framework for valuing intangible assets and estimating profitability in the context of<br />

competition investigations, as set out in the Oxera 2003 report for the Office of Fair<br />

Trading and previously used by the Competition Commission.<br />

1.36 The key conclusion is that, when modelled under a range of different assumptions,<br />

time periods and measures of profitability, Sky appears to have made an aggregate<br />

return of above 20%, significantly above its current cost of capital. We need to<br />

exercise care when interpreting historic returns during periods when Sky was<br />

developing a new business with a potentially significant risk of failure. However, Sky<br />

now has a stable and increasingly diversified business, so these considerations are<br />

less relevant on a forward-looking basis.<br />

1.37 Oxera has also carried out a disaggregated analysis of Sky’s profitability. The results<br />

are less reliable than the aggregate analysis, due to various issues associated with<br />

the allocation of costs, revenues and assets. The disaggregated analysis does<br />

however lead us to the view that:<br />

� Wholesale returns are greater than retail returns.<br />

� Wholesale returns are above those of appropriate comparators.<br />

� Within wholesale, although there is uncertainty about the precise figures, it is<br />

likely that movies returns are greater than on sports.<br />

1.38 This profitability analysis excludes any monopoly rents which may be retained by<br />

rights owners. Such monopoly rents may exist where much of the content<br />

aggregation is carried out by rights owners rather than by Sky, as is the case for<br />

example with the live FAPL rights. However, we have not attempted to estimate<br />

these, since it is likely to be extremely difficult in practice to distinguish them from any<br />

scarcity rents associated with the talent which underpins the production of high<br />

quality content. In other words, the high salaries paid to some footballers and movie<br />

stars may be an indication of market power, but could also reflect the scarcity value<br />

of football skills and movie talent.<br />

Effects on consumers<br />

1.39 We noted in our Second <strong>Pay</strong> <strong>TV</strong> Consultation that markets where competition is<br />

weak, and consumers are unable to exercise a real choice between suppliers, are<br />

unlikely to deliver the best outcomes for consumers. We set out several criteria<br />

against which we proposed to assess the operation of the market from a consumer<br />

perspective, focussing on choice, innovation and pricing. We think the current and<br />

future effects on choice and innovation of Sky’s approach to the wholesale supply of<br />

Core Premium channels are such that we need to consider an intervention under our<br />

sectoral powers to ensure fair and effective competition in the interests of<br />

consumers.<br />

Consumer choice<br />

1.40 The most obvious manifestation of reduced consumer choice is the restricted<br />

availability of Sky’s premium content on other platforms. The fact that consumers on<br />

a number of platforms are currently either unable to access the most valuable sport<br />

and movie content, or face restricted access, is a source of concern. We consider the<br />

effect on different groups of consumers:<br />

7

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