31.01.2013 Views

Pay TV phase three document - Stakeholders - Ofcom

Pay TV phase three document - Stakeholders - Ofcom

Pay TV phase three document - Stakeholders - Ofcom

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />

Figure 4 Chart showing varied preferences (consumer research)<br />

Sports<br />

Soap operas<br />

Films<br />

Comedy<br />

Drama<br />

Documentaries<br />

History / geography<br />

News<br />

Nature / animal<br />

Childrens<br />

Reality<br />

Music<br />

5%<br />

7%<br />

6%<br />

6%<br />

4%<br />

7%<br />

9%<br />

6%<br />

7%<br />

Base: All multi-channel <strong>TV</strong> household decision-makers for whom content is ‘must have’ (FTA 045, pay<br />

<strong>TV</strong> 947)<br />

Source: <strong>Ofcom</strong> pay <strong>TV</strong> research <strong>phase</strong> one (June / July 2006)<br />

Notes: Spontaneous mentions of programme genre among those for whom content is ‘must have’.<br />

3.21 The <strong>three</strong> genres that are most valued by consumers are sports, soap operas and<br />

films. Of these, soap operas are widely available on free-to-air television, and so are<br />

unlikely to be a primary driver of pay <strong>TV</strong> subscriptions. The same is true of other<br />

genres which are valued by consumers, such as comedy, drama and <strong>document</strong>aries.<br />

3.22 Sports and films are the genres which stand out as being amongst the most valued<br />

genres by consumers, and also having a high degree of exclusivity to pay <strong>TV</strong>. On this<br />

basis alone we would expect them to be key drivers of pay <strong>TV</strong> subscriptions. We<br />

used a variety of evidence in our Second <strong>Pay</strong> <strong>TV</strong> Consultation to analyse the<br />

importance of sports and movie content in more detail, and we set this out again<br />

below.<br />

Sums paid for content rights<br />

13%<br />

14%<br />

10%<br />

11%<br />

10%<br />

10%<br />

14%<br />

16%<br />

21%<br />

18%<br />

18%<br />

31%<br />

33%<br />

31%<br />

27%<br />

0% 10% 20% 30% 40%<br />

Free-to-air consumers<br />

<strong>Pay</strong> <strong>TV</strong> consumers<br />

3.23 The amounts paid by companies such as Sky and Setanta and similar companies<br />

abroad for exclusive rights to sports and movies content are substantial, pointing to<br />

the importance of these types of content to their businesses, for example:<br />

41

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!