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Pay TV phase three document - Stakeholders - Ofcom

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<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />

6<br />

its own platform. The resulting selective exploitation of content rights might be a<br />

concern if it allowed Sky to protect its market power, and distort competition.<br />

1.31 Our concern here relates to the exploitation of the rights to distribute movies via<br />

Video on Demand (VoD). These have a high strategic importance, due to the<br />

potential which we have already noted for disruptive change in the way movies are<br />

distributed. Various sets of VoD rights can be identified:<br />

� VoD services sold on a <strong>Pay</strong>-Per-View (PPV) or <strong>Pay</strong>-Per-Download (PPD) basis.<br />

These rights are widely available, on a non-exclusive basis. However, the<br />

payment mechanisms allowed by these rights, and the associated level of prices,<br />

mean that services based on these rights have thus far not developed into a<br />

major part of the market.<br />

� VoD services sold on a subscription service (SVoD). At present the movie studios<br />

bundle these rights with the rights to show movies on subscription linear<br />

channels, and these bundled rights are acquired on an exclusive basis by Sky.<br />

Sky does not however have the capability to exploit these SVoD rights on its own<br />

<strong>TV</strong> platform, and it does not have the incentive to develop a product based on<br />

these rights to be supplied to competing <strong>TV</strong> platforms. Sky therefore only exploits<br />

the rights via its PC-based Sky Player application, which has thus far had limited<br />

impact on the market.<br />

1.32 We acknowledge that as a general rule competition authorities and regulators should<br />

be very cautious about intervening to change how firms exploit content rights, due to<br />

the risk that such interventions could stifle innovation. However, in the context of<br />

Sky’s market power there appears to be a risk that innovation in the development of<br />

VoD services may be stifled by the manner in which the VoD rights to premium<br />

movies are currently being exploited.<br />

High wholesale prices<br />

1.33 We said in our Second <strong>Pay</strong> <strong>TV</strong> Consultation that the evidence of whether wholesale<br />

prices are high is less clear-cut than the evidence on channel distribution. Evidence<br />

on wholesale prices is difficult to interpret for a number of practical reasons, including<br />

the following:<br />

� The costs of producing content are largely fixed, resulting in a marginal cost<br />

which is close to zero. The appropriate measure of competitive prices is<br />

particularly difficult to determine in such circumstances.<br />

� Profitability analysis is made difficult by uncertainties regarding the level of capital<br />

employed, and in particular the level of intangible assets. A disaggregated<br />

profitability analysis which seeks to establish profitability in different parts of Sky’s<br />

business is particularly complex because of uncertainties associated with<br />

allocating both these assets, and common costs to particular parts of Sky’s<br />

business.<br />

1.34 Nevertheless, our view was that Sky did appear to be making an operating margin on<br />

the wholesale of premium channels which was higher than its overall operating<br />

margin. We further commented that the gross margins which Sky makes on premium<br />

movie content are significantly higher than those which it makes on premium sports.<br />

1.35 Since our last <strong>document</strong>, we have engaged Oxera to carry out a full analysis of Sky’s<br />

profitability, particularly focusing on the value of Sky’s intangible assets. Oxera’s

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