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Pay TV phase three document - Stakeholders - Ofcom

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<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />

of the studios might mean that this was the wrong time to make a reference to the<br />

CC. Since then, as noted above, [ � ]. Our view is that there is unlikely to be a<br />

substantial change in the way these rights are awarded in the UK in the short to<br />

medium term.<br />

12.33 We believe that before consulting formally on a reference, it would be constructive to<br />

engage further with the Major Hollywood Studios, to establish whether it is possible<br />

to avoid the need for further intervention as a result of their existing commercial<br />

strategies. We would prefer if possible to avoid the burden that a reference would<br />

entail and the potential additional regulation that could result, if the need for it would<br />

otherwise be obviated by the studios’ strategies. We would expect that to take place<br />

over the next few months, with a possible consultation on a reference to follow<br />

depending on the outcome of that engagement.<br />

12.34 If there was a reference to the CC there would be some inevitable interaction<br />

between the CC’s consideration and our proposed wholesale must-offer. They would<br />

be targeted at different concerns, but there would be some analytical overlap. In the<br />

longer term, an intervention by the CC on SVoD rights might require us to revisit the<br />

analysis behind a wholesale must-offer, but we would in any case expect to review<br />

the wholesale must-offer in the event of a material change in the way rights are sold.<br />

A wholesale must-offer would be likely to have a more immediate effect on<br />

competition at the retail level by improving distribution of linear channels. It would<br />

ensure that content was more widely available within a short period from coming into<br />

force. An intervention at the rights level would by its nature take longer. Rights come<br />

up for renewal on a staggered basis – for example, as we have seen above, some of<br />

the movies contracts do not now come up for renewal until [ � ].<br />

Sport<br />

12.35 We noted in Section 5 that Sky’s market power in the wholesale of Core Premium<br />

Sports channels depends to a significant extent on its control of the majority of the<br />

most important FAPL content. We noted in Section 3 that the mechanism by which<br />

this content is aggregated is collective selling by the football clubs. There is a<br />

substantial body of case law which has considered whether such collective selling is<br />

acceptable under competition law, including the investigation carried out the by<br />

European Commission which led to the commitments which governed the last two<br />

auctions 571 .<br />

12.36 This is a complex area, because while we do have concerns about the role of<br />

collective selling in creating market power, there are also some acknowledged<br />

benefits associated with collective selling. These were recognised in the White Paper<br />

on Sport published by the European Commission in 2007 572 , which stated that<br />

collective selling has “the potential of improving the media product and its distribution<br />

to the advantage of football clubs, broadcasters and viewers” 573 . The Commission<br />

identified <strong>three</strong> types of benefits:<br />

571<br />

See the <strong>document</strong>s under the European Commission’s reference: COMP/38.173 - The Football<br />

Association Premier League Limited.<br />

572 http://ec.europa.eu/sport/white-paper/index_en.htm.<br />

573 Annex I: Sport and EU competition rules, paragraph 3.1.3.1.1.<br />

343

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