Pay TV phase three document - Stakeholders - Ofcom
Pay TV phase three document - Stakeholders - Ofcom
Pay TV phase three document - Stakeholders - Ofcom
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<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />
Figure 59 Summary of forward-looking scenarios set out by Deloitte<br />
Scenario Description Impact on consumers<br />
‘Groundhog Day’ Very similar to today’s world,<br />
where no capacity constraints<br />
exist and most consumers<br />
prefer a ‘lean back’<br />
experience<br />
‘Jamie and the<br />
Magic Torch’<br />
7.16 More specific examples of new means of accessing content include:<br />
� Video on demand. The BBC in particular believes VoD services have great<br />
potential. Project Canvas aims to combine multiple on-demand services and<br />
make them accessible directly through the television set. The recent public<br />
consultation <strong>document</strong> on Canvas highlighted the success of iPlayer on Virgin<br />
Media’s platform. The BBC reported that in the week commencing 30 June 2008,<br />
an average of 235,000 Virgin Media ‘unique users’ accessed <strong>TV</strong> iPlayer content<br />
each day, compared to 359,000 ‘unique users’ accessing the PC iPlayer 452 . It is<br />
estimated 453 that 5.5 million UK households had access to VoD services in 2008,<br />
and that this will rise to 8.5 million (30% penetration) when Digital Switchover<br />
takes place in 2012, rising to about 11 million homes by 2017.<br />
452 Canvas:Proposition and public value case”<br />
http://www.bbc.co.uk/bbctrust/assets/files/pdf/consult/canvas/canvas_application.pdf.<br />
453 Source: Enders Analysis.<br />
A device led environment,<br />
where consumers are free to<br />
use any content on any<br />
device<br />
‘Absolute Power’ A world of choice and<br />
personalisation where<br />
consumers are served<br />
instantly via the cloud<br />
‘Pushing Tin’ The service remains<br />
prominent but content and<br />
service delivery are enabled<br />
by the network operators<br />
‘The Matrix’ A walled garden of content<br />
and services delivered from<br />
the cloud in partnership with<br />
the network operators<br />
‘Upstairs<br />
Downstairs’<br />
‘Pirates of the<br />
Caribbean’<br />
Major network capacity<br />
constraints in some areas<br />
create a world of digital<br />
‘haves’ and ‘have-nots’<br />
Lack of incentive to invest in<br />
content of the network as<br />
consumers are happy to<br />
access illegal content and<br />
services<br />
Mass market continues to<br />
consume ‘lean back’ passive<br />
content<br />
Primary relationship with<br />
devices, which offer increased<br />
quality and choice<br />
Primary relationships with<br />
online CSPs offering the<br />
broadest range of content and<br />
services<br />
Content and services are<br />
prioritised by the network and<br />
delivered by the device<br />
Primary relationship with the<br />
network operator who offer a<br />
walled garden of controlled<br />
services<br />
A digital divide exists between<br />
those in areas with significant<br />
access speeds and those in<br />
areas without<br />
A drop in content choice and<br />
quality due to a lack of<br />
incentive for CSPs to invest<br />
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