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Pay TV phase three document - Stakeholders - Ofcom

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<strong>Pay</strong> <strong>TV</strong> <strong>phase</strong> <strong>three</strong> <strong>document</strong> – non-confidential version<br />

4.268 Each of these delivery mechanisms has different characteristics which will influence<br />

the degree of substitutability between them. For example, Sky’s research found that:<br />

“Whilst watching films on television is enjoyed, it lacks the glamour<br />

and sense of occasion of the cinema or the novelty and appeal of<br />

owning DVDs. Films on <strong>TV</strong> are an interesting proposition in that their<br />

competition is not just other windows, but all other <strong>TV</strong> programmes<br />

that happen to be on (including first run drama etc.)” 206 .<br />

4.269 The studios carefully manage the timing of film release across these different<br />

formats, as we explained in further detail in Annex 11 of our First <strong>Pay</strong> <strong>TV</strong><br />

Consultation. The timed availability of films across different formats (known as ‘film<br />

windows’) is a form of price discrimination. It enables the studios to exploit<br />

consumers’ different willingness to pay for content in order to maximise revenues and<br />

recover the fixed costs of production and marketing.<br />

4.270 New films are often valued more highly by consumers than older films. This is in part<br />

because significant marketing occurs around the time of the initial cinema release<br />

which increases the awareness of a film. The value of this marketing will diminish<br />

over time. The value of newer films is reflected in the higher audience received for<br />

Sky Movies Premier compared with the other channels (see Figure 25). Furthermore,<br />

once a consumer views a film in an earlier window its value to that consumer in later<br />

windows is likely to be diminished.<br />

4.271 As explained above (paragraph 4.259), Sky’s movie channels provide access to a<br />

wide range of new films. By contrast, FTA channels and other basic tier subscription<br />

channels show a wide variety of older films. In 2007 there were 2,182 film<br />

transmissions on the PSB channels in 2007 and 20,271 film transmissions on other<br />

digital channels and 34,782 transmissions on subscription movie channels 207 .<br />

4.272 The table below sets out the available film windows.<br />

206 Sky’s third response to <strong>Ofcom</strong> information request of 29 May 2008.<br />

207 UK Film Council Statistical Yearbook 2008 figure 11.6 p92, figure 11.7 page 95. PSB channels<br />

refer to BBC1, BBC2, I<strong>TV</strong>1, Channel 4 and Five.<br />

109

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