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NOTAS 271<br />
Bntertainment», ponencia presentadaen la 3ª Conferencia sobre Medios en Transiciôn, MIT, Cambridge,<br />
Mass., mayo de 2003.<br />
38. John HartIey, «Regimes of Truth and the Politics of Reading: A Blivit», en Tele-Ology:<br />
Studies in Teíevtsíon, Nueva York, Routledge, 1992, págs. 45-63.<br />
39. David Buckingham, The Making ofCuizens: Young People, News and Politics, Londres,<br />
Routledge, 2000.<br />
40. Will Wright, entrevista personal con eI autor, junio de 2003.<br />
41. Peter Ludlow, «My View of the Alphaville Elections», Alphaville Heraíd. 20 de abril de<br />
2004, http://www.alphavilleherald.com/archives/OOO191.htm1.<br />
42. Estas citas y las siguientes de este párrafo están tomadas de Jane McGonigal, «r'Ihis Is Not<br />
a Game'': Immersive Aesthetics and ColIective Play», http://www.seanstewart.orglbeast/mcgonigal/notagame/paper.pdf.<br />
43. http://cdd.stanford.edu.<br />
44. <strong>Henry</strong> E. Brady, James S. Fishkin y Robert C. Luskin, «Informed Public Opinion about<br />
Foreign Policy: The Uses of Deliberative Polling», Brookings Review,verano de 2003, hnp://cdd.<br />
stanford.edu/research/papersn003/informed.pdf<br />
45. David Thorbum, «Television Melodrama», en Horace Newcomb (comp.), Televísion: The<br />
Criticai View, Oxford, Oxford University Press, 1994.<br />
46. Ithiel de Sola PooI, Technology without Boundaries: On Telecommunicaüons in a Global<br />
Age, Cambridge, Mass.• Harvard University Press, 1990, págs. 261-262.<br />
47. Aodrew Leonard, «Trapped in the Echo Chamber», Salon, 3 de noviembre de 2004,<br />
http://www.salon.com/tech/collleon/2004/li/03/echo_chamber.<br />
48. Cass Sunstein, «The Daily We», Boston Review, verano de 2001, http://www.bastonreview.net/BR26.3/Sunstein.html.<br />
49. Gibbs, «Blue Truth, Red Truth».<br />
50. Sharon Waxman y Randy Kennedy, «The Gurus of What's In Wonder If They're out of<br />
Touch», New York Times, 6 de noviembre de 2004, pãg. A12.<br />
Notas de la Conclusión<br />
L Ari Bennan, «AI <strong>Get</strong>s Down», The Nation, 28 de abril de 2005, http://www.thenation.com/<br />
doc.mhtml?i=20050516&c=I &s=berman.<br />
2. Véase Anita J. Chan, «Distríbuted Editing, Collective Action, and the Construction of 00line<br />
News 00 Slashdot.org», tesis de máster, Programa de Estudios Mediáticos Comparados, MIT,<br />
Cambridge, Mass., 2002. Para más informaciõn sobre periodismo participativo, véase Dan GiImor,<br />
We the Media: Grassroots Journalism By the People, For the People. Nueva York, O'Reilly,<br />
2004, y Pablo 1. Boczkowski, Digitizing the News: Innovatíon in Oníine Newspapers, Cambridge,<br />
Mass., MIT Press, 2005.<br />
3. Berman, «AI <strong>Get</strong>s Down». Para más informaci6n sobre los debates sobre Current, véase<br />
Niall McCay, «The Vee Pee's New Tee Vee», Wired News, 6 de abril de 2005, http://www.wired.com/news/digiwoodlO,1412,67143,00.html;<br />
Farhad Manjoo, «The Television Will Be Revolutionized»,<br />
Salon, 7 de julio de 2005, http://www.salon.com/news/featuren005/07/11/goretv/print.<br />
htm1; Tamara Straus, «I Want My AI TV», San Francisco magazine, julio de 2005, http://www.<br />
sanfran.com/home/view_story/625/?PHPSESSlD=d8efl4a995fed84316b461491d16f667.<br />
4. Manjoo, «The Television».<br />
5. Bennan, «AI <strong>Get</strong>s Down».<br />
6. Ashley Highfield, «TV's Tipping Point: Why the Digital Revolution Is Only Just Beginning»,<br />
7 de octubre de 2003, Paidcontent.org, http://www.paidcontent.org/stories/ashleyrts.shtml.<br />
7. «BBC Opens TV Listings for Remix», BBC Online, 23 de julio de 2005, http://news.<br />
bbc.co.uk/I/hi/technology/4707187. stm.