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Gematria - Sepher Sapphires Volume 1.pdf

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V. Tiphareth is the 6th Sephiroth, therefore this<br />

number concerns beauty, harmony and<br />

symbolizes the union of the 2 worlds thourgh its<br />

associated with the union of the Fire and Water<br />

triangles. It a number of balance and contains 2<br />

trinities (two triangles with 3 sides each). It is<br />

through the number 6 that man can contact the<br />

higher trinity.<br />

VI. "In all things, great and small, I see the<br />

Beauty [Tiphareth] of the divine expression." [6'"<br />

saying of the Pattern on the Trestleboard]<br />

'I Vav. and. Vav is the path of the Triumphant<br />

and Eternal Intelligence linking Chokmah to<br />

Chesed. In grammar "and" is used as a<br />

conjunction, that which links a series of nouns or<br />

dependent clauses in a sentance.<br />

I. Vav means nail or hook (see Appendix 14) and<br />

is symbolic of our connecting link With<br />

Universal Being. Vav is the link which fastens<br />

personal consciousness to universal life. As the<br />

number 6 it is associated with the Sphere of<br />

Tiphareth and the seat of the Soul on the Tree of<br />

Life. Tiphareth links Kether, the Indivisible One<br />

to the automatic consciousness in Yesod (The<br />

Moon and sub-consciousness). Vav is associated<br />

with Intuition. Intuition is the super-<br />

consciousness transmitting information through<br />

self-consciousness through sub-consciousness<br />

( Yesod).<br />

11. "The Vav is a vertical line representing a<br />

pillar or a man standing upright. The world<br />

stands on pillars. The pillars, a symbol of<br />

support, hold hold Creation together." [Ginsburg,<br />

1995, p. 971<br />

Ill. Rabbi Kushner: "This is the word of Vav: to<br />

join us all into a myriad of constellations each<br />

remaining different, each bound to the other."<br />

[The Book of Letters]<br />

IV. "This character has two very distinct vocal<br />

acceptations, and a third as consonant. Following<br />

the first of these vocal acceptations, it represents<br />

the eye of man, and becomes the symbol light;<br />

the second represents the ear, and becomes the<br />

symbol of sound, air, wind: as a consonant it is<br />

the emblem of water and represents taste and<br />

covetous desire. As a grammatical sign the<br />

image of the most profound and inconceivable<br />

mystery. The image of the knot which unites, or<br />

the point which separates nothingness and beifilg<br />

[italics added]. In its luminous vocal acceptation<br />

j, it is the sign of intellectual sense, the verbal<br />

sign par excellence. In its ethereal verbal<br />

acceptation 5, it is the universal convertible sign,<br />

which makes a thing pass ?om one nature ,to<br />

another [italics added]; communicating on one<br />

side with sign of intellectual sense 1, which is<br />

only itself more elevated, and on the other, with<br />

that of material sense p, which is only itself<br />

more abased: It is finally, in its aqueolls<br />

consonantal acceptation, the Iink of ~rll<br />

things[italics added], the conjunctive sign. The<br />

character 7, except its proper name 77, does not<br />

begin any word of the Hebraic tongue, arid<br />

consequently does not furnish any root."<br />

[d701ivet, 1976, p. 334.1<br />

V. "Vav, expresses the fertilizing agent, that<br />

which impregnates. It is the direct result of Hay<br />

upon Dallet." [Suraes, 1992, p. 61 .]<br />

V1. "Six is the name and number of sex and it is<br />

represented by the letter Vau which means a<br />

'nail', the phallic symbol of virility."' [Grant,<br />

1994, p. 17.1<br />

'11 Isolation, separation, thing separated frorn;<br />

alone; empty talk, lies, vain boasting. All its<br />

variation apply to the negative aspect of<br />

Tiphareth. With different pointing: twig of a tree,<br />

shoot staff, white linen and soothsayer; Rod;<br />

pole, limb of the body; cell (in skin), war,<br />

chatter; separable part of something; olive press.<br />

"The root %, which characterizes evely object<br />

distinct and alone, being contracted with the sign<br />

of interior activity, composes this root whence<br />

issue ideas of separation, isolation, solitucle,<br />

individuality, particular existence. From the idea<br />

of separation comes that of opening: thence th~at<br />

of opening the mouth which is attached to this<br />

root in several idioms, and in consequence, thiat<br />

of chattering, babbling, jesting, boasting, lying,<br />

etc. The Arabic signifies literally middre,<br />

between. As a verb, this root characterized t,he<br />

action of dispersing." [d'olivet, 1976, pp. 30 1 -<br />

302.1<br />

22 roof, flat top of a house; the upper part of ;an<br />

altar; width, volume (geometry). This word<br />

indicated by the initials G.G., designating tihe<br />

sixth person called by brother C.R. to aid in tlhe

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