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The Highland monthly - National Library of Scotland

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Gaelic Incantations. 281<br />

and prevent the butter from coming !<br />

To<br />

avert such a<br />

calamit}^ the visitor got a drink out <strong>of</strong> the churn. In<br />

order to avoid such interruptions, the churning was usually<br />

made after bedtime, when the dangers <strong>of</strong> interruption from<br />

without were few.<br />

A certain preparation <strong>of</strong> water was one <strong>of</strong> the prevail-<br />

ing remedies when either man or beast was supposed<br />

to be suffering from the Evil Eye. At page 126 <strong>of</strong> Vol.<br />

VIII. <strong>of</strong> the Gaelic Society's Transactions, I gave a short<br />

account <strong>of</strong> the ceremony. According to the description<br />

then given, coins <strong>of</strong> gold, silver, and copper were put<br />

into a basin <strong>of</strong> water. <strong>The</strong> person performing the Eolas<br />

repeated the undernoted words over the dish, at the<br />

same time blowing the water with his or her breath. <strong>The</strong><br />

water v/as then sprinkled on the person supposed to<br />

be suffering from the malady. <strong>The</strong> words given on that<br />

occasion were :<br />

Translated<br />

—<br />

—<br />

'S i 'n t-suil a chi,<br />

'S e 'n cridhe a smuainicheas,<br />

'S i 'n teanga 'labhras ;<br />

'S mise 'n triuir gu tilleadh so ortsa, A. B.<br />

An ainm an Athar, a Mhic, 's an Spioraid JNaoimh.<br />

'Tis the eye that sees,<br />

'Tis the heart that thinks,<br />

'Tis the tongut that speaks ;<br />

I am the three to turn this <strong>of</strong>f you.^<br />

In the name <strong>of</strong> the Father,* <strong>of</strong> the Son, and <strong>of</strong> the<br />

Holy Ghost.<br />

So much by way <strong>of</strong> introduction. I will now proceed<br />

with the mode <strong>of</strong> curing the sufferer from the supposed<br />

effects <strong>of</strong> the Evil Eye, as the same is practised in Uist.<br />

In the first place, the performer goes for water, and, if pos-<br />

sible, it is taken out <strong>of</strong> a burn across which the living pass,<br />

and over which the bodies <strong>of</strong> the dead are from time to<br />

time carried. Having brought the water into the house, he<br />

' Here the name <strong>of</strong> ihe afflicted j)erson is to be said.

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