Reading Working Papers in Linguistics 4 (2000) - The University of ...
Reading Working Papers in Linguistics 4 (2000) - The University of ...
Reading Working Papers in Linguistics 4 (2000) - The University of ...
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P. KERSWILL & A. WILLIAMS<br />
• Variants are phonetically radically different<br />
• Variants are <strong>in</strong>volved <strong>in</strong> the ma<strong>in</strong>tenance <strong>of</strong> phonological contrasts<br />
<strong>The</strong> importance <strong>of</strong> Trudgill’s conception is that it attempts to expla<strong>in</strong> why<br />
certa<strong>in</strong> features are adopted, and others rejected, <strong>in</strong> dialect contact. Salience is<br />
a factor that is additional to the list <strong>of</strong> seven ‘<strong>in</strong>dependent’ variables given<br />
above. It h<strong>in</strong>ts at psychol<strong>in</strong>guistic explanations, though it does not do so<br />
explicitly. In his discussion, Trudgill also covers attitud<strong>in</strong>al and<br />
sociodemographic factors which may lead to stigmatisation. Trudgill takes the<br />
reader through a number <strong>of</strong> examples <strong>of</strong> features which are regularly adopted<br />
by speakers <strong>in</strong> dialect contact situations, and some which are not, the<br />
conclusion be<strong>in</strong>g that salient features are the ones acquired. <strong>The</strong>re are,<br />
however, three provisos. First, features which are too ‘difficult’ are acquired<br />
late (if, for <strong>in</strong>stance, they <strong>in</strong>volve the learn<strong>in</strong>g <strong>of</strong> a new contrast). Second,<br />
they are avoided if they result <strong>in</strong> homonymic clash <strong>in</strong> the speaker’s orig<strong>in</strong>al<br />
dialect. F<strong>in</strong>ally, they are avoided if they have extra-strong salience, that is,<br />
the features are (for the speakers) overly strong markers <strong>of</strong> the dialect be<strong>in</strong>g<br />
accommodated to.<br />
However, there are two related sources <strong>of</strong> circularity and therefore loss<br />
<strong>of</strong> explanatory power <strong>in</strong> Trudgill’s argument. <strong>The</strong> first has been discussed by<br />
other authors, particularly H<strong>in</strong>skens (1996), and concerns the idea <strong>of</strong> extrastrong<br />
salience. It appears that the very factors that lead speakers to notice<br />
and to adopt new features, <strong>in</strong>clud<strong>in</strong>g the five listed above, are precisely those<br />
that also lead to a feature be<strong>in</strong>g avoided. If we just look at features which are<br />
salient, there is no way <strong>of</strong> predict<strong>in</strong>g, on purely l<strong>in</strong>guistic grounds, which ones<br />
will be adopted and which avoided – there is no objective measure either<br />
proposed, or even possible (it seems to us) that can achieve this (on this po<strong>in</strong>t,<br />
see also the discussion <strong>in</strong> Kerswill forthcom<strong>in</strong>g). Instead, we must have<br />
recourse to non-l<strong>in</strong>guistic <strong>in</strong>formation ly<strong>in</strong>g outside the stricter def<strong>in</strong>ition <strong>of</strong><br />
salience. We argue later that it is these extra-l<strong>in</strong>guistic factors that, <strong>in</strong> the end,<br />
are the decisive ones.<br />
But problems lie <strong>in</strong> the five factors themselves. All <strong>of</strong> these, Trudgill<br />
argues, lead to speakers becom<strong>in</strong>g aware <strong>of</strong> a feature. However, even here it<br />
is possible detect difficulties. We deal with the factors <strong>in</strong> reverse order. <strong>The</strong><br />
only non-controversial factor among the five is probably the last one: even<br />
though current phonological theories do not necessarily operate with the idea<br />
<strong>of</strong> ‘contrast’, we are still deal<strong>in</strong>g with differences that must be <strong>in</strong>corporated <strong>in</strong><br />
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