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PREDICTIONS – 10 Years Later - Santa Fe Institute

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4. THE RISE AND FALL OF CREATIVITY<br />

CONTEMPORARY GENIUSES<br />

Having gone this far, I could not resist venturing some forecasts on the<br />

careers of celebrated contemporary personalities who are still producing<br />

creatively. I considered three Nobel-prize winners—two physicists and a<br />

writers—and a celebrated movie director.<br />

Burton Richter won the 1976 Nobel prize in physics and later director<br />

of the Stanford Linear Accelerator. He provided me with a complete<br />

list of his scientific publications. Carlo Rubbia is winner of the 1986<br />

Nobel prize in physics and later director of the European research laboratory<br />

CERN in Geneva, Switzerland. The data on his scientific<br />

publications come from the Physics Abstracts (London: the <strong>Institute</strong> of<br />

Electrical Engineers). Gabriel Garcia Marquez received the Nobel prize<br />

in literature in 1982. I found his novels catalogued in the library of Columbia<br />

University. The career of Frederico <strong>Fe</strong>llini, the noted Italian<br />

filmmaker, is well documented. To compile a complete list of <strong>Fe</strong>llini’s<br />

full-length features I consulted three different Who’s Who publications.<br />

For all four cases I fitted an S-curve on the cumulative number of<br />

works and established the level of the ceiling. The procedure yielded<br />

dates for the 1 percent and the 90 percent levels. The former indicated<br />

the moment of conception of the individual’s career; the latter pointed<br />

to the time before which the work can be considered largely incomplete<br />

and it would be unlikely the person would die. The table below summarizes<br />

the findings.<br />

Name Ceiling Year of 1% Year of 90% Born<br />

Richter 340 1954 1991 1931<br />

Rubbia 240 1948 1994 1934<br />

Marquez 54 1964 1994 1928<br />

<strong>Fe</strong>llini 24 1920 2003 1920<br />

We see that the two physicists had comparable careers. They both<br />

started young and achieved rough completion of their work at age sixty.<br />

Marquez “became” a writer at the age of thirty-six and would continue<br />

writing books at least up to age sixty-six. But <strong>Fe</strong>llini broke the record. It<br />

seems that he had at least three more movies to make, the third one at<br />

the age of eighty-three.<br />

98

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