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PREDICTIONS – 10 Years Later - Santa Fe Institute

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4. THE RISE AND FALL OF CREATIVITY<br />

The irregularity at the low end of the curve caused the program<br />

to include an early-missing-data parameter. The reason:<br />

better agreement between the curve and the data if eighteen<br />

compositions are assumed to be missing during Mozart’s earliest<br />

years. His first recorded composition was created in 1762,<br />

when he was six. However, the curve extrapolates to reach its<br />

nominal beginning of 1 percent of the maximum at about<br />

1756, Mozart’s birth date. Conclusion: Mozart was composing<br />

from the moment he was born, but his first eighteen compositions<br />

were never recorded due to the fact that he could neither<br />

write nor speak well enough to dictate them to his father.<br />

The second irregularity is at the high end of the curve. The<br />

year 1791 shows a large increase in Mozart’s productivity. In<br />

fact, the data point is well above the curve, corresponding<br />

more to the productivity projected for the year 1793. What<br />

is Mozart trying to do? His potential is determined as 644<br />

WOLFGANG AMADEOUS MOZART (1756-1791)<br />

FIGURE 4.1 The best-fitting S-curve implies 18 compositions “missing”<br />

between 1756 and 1762. The nominal beginning of the curve—<br />

the 1% level—points at Mozart’s birthday. The nominal end—the<br />

99% level—indicates a potential of 644 works.<br />

86

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