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E-Book of Articles - World Federation of Music Therapy

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Amir, Dorit: The Role Of <strong>Music</strong> <strong>Therapy</strong> In Establishing Cultural Identity ...<br />

Minister Rabin, Minister <strong>of</strong> Foreign Affairs Shimon Peres and thousands <strong>of</strong><br />

others joined her in singing. It was a moment <strong>of</strong> unity, hope and awe. A few<br />

minutes after singing the song, Rabin was murdered, and in his pocket was the<br />

text for “Song for Peace,” stained with his blood. Since then, this song has<br />

been sung endless times and has now emerged as a symbol <strong>of</strong> this tragedy. It<br />

symbolizes mourning for the man who led the country towards peace, and at<br />

the same time represents the mission that must be continued: keeping up the<br />

peace process in order to ensure a better future. The song has become both<br />

the symbol <strong>of</strong> the tear in our society and the symbol for hope.<br />

3. What is the role <strong>of</strong> music therapy in representing, bringing out and<br />

dealing with such issues?<br />

The Diaspora, the holocaust, the immigration to Israel in all <strong>of</strong> its meanings,<br />

the pain <strong>of</strong> belonging to the North Africa ethnic group in the modern Israeli<br />

society, being a war widow and loosing a family member in wars and<br />

terrorist attacks - all <strong>of</strong> these have been central elements in my clients' and<br />

students’ life stories and in the structure <strong>of</strong> their psyche.<br />

There are students and clients who tend to preserve their tradition.<br />

Their parents’ traditions become a source <strong>of</strong> comfort, pride and confidence.<br />

For example, in times <strong>of</strong> discomfort, pressure or personal crisis, the natural<br />

thing for my students or clients who are new immigrants from the former<br />

Soviet Union is to go back to their native language - Russian, and to sing<br />

Russian songs from their childhood.<br />

There are others, who have rejected their tradition, and will not<br />

speak Russian or sing Russian songs because they don't want to emphasizes a<br />

feeling <strong>of</strong> being strange, foreigner and even ashamed. They want to erase<br />

any sign <strong>of</strong> their past in order to become "assimilated" into being an Israeli.<br />

Examples <strong>of</strong> that are students who present themselves musically only with<br />

music that they identify with an Israeli identity, or songs in English that can<br />

be identified with liberation and being a cosmopolitan, a worldly citizen.<br />

Here is an example. Ana is a 22-year-old MT student who immigrated to Israel<br />

from Russia 5 years before enrolling in the program. Her Hebrew is quite good,<br />

and she has almost no foreign accent at all. She is a very talented classical<br />

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