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E-Book of Articles - World Federation of Music Therapy

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Turry, Alan: Performance and Product ....<br />

recorded songs <strong>of</strong> clients with terminal illnesses. These clients have<br />

described the recording project as giving their life purpose, and feeling less<br />

isolated. 52 David Ramsey has made multi track recording the focus <strong>of</strong> his<br />

work with neurologically impaired clients, and has arranged for<br />

performances <strong>of</strong> the music within the hospital setting. This has helped to<br />

change how these clients view themselves-from identifying themselves as a<br />

damaged patient to someone who can accomplish and experience a sense <strong>of</strong><br />

completion and wholeness. Rather than feeling helpless they are motivated<br />

to work and rehabilitate. They have been able to find ways to express<br />

themselves, as Ramsey has found the technical means to allow them to<br />

create music despite their disabilities. 53<br />

Sharing the results and accomplishments publicly <strong>of</strong> the music<br />

created privately in a music therapy session can be a way <strong>of</strong> cultivating a<br />

sense <strong>of</strong> achievement within the client. Public sharing can be a way <strong>of</strong><br />

validating changes the client has made internally. Maria Logis, a client who<br />

has worked with me in music therapy and has shared her process publicly,<br />

has stated that sharing the music she has created in music therapy sessions<br />

has helped her to "reclaim" her voice. She began public sharing by playing<br />

audiotapes <strong>of</strong> her music therapy sessions with close friends and family. The<br />

improvised music contained thoughts and feelings not just about her illness 54<br />

but about life long issues. In this way she felt she successfully<br />

communicated her feelings in a way she could not verbally. She decided to<br />

learn the music created in sessions and sing the music publicly for friends<br />

and family. The act <strong>of</strong> sharing publicly gave her the experience <strong>of</strong><br />

overcoming her feelings <strong>of</strong> isolation, and she describes that she now has<br />

more options besides hiding in a private world <strong>of</strong> self-criticism. Explaining<br />

52 O'Brien, like Landy, was under pressure from those within the pr<strong>of</strong>ession who felt it was unethical<br />

for a therapist to be economically supporting her program with the pr<strong>of</strong>its <strong>of</strong> recordings made by<br />

patients and herself. She has stated that the idea <strong>of</strong> giving the proceeds to the music therapy program<br />

she runs came from the patients themselves.<br />

53 Ramsey, who has experience working within the psychoanalytic framework, feels no conflict to be<br />

working on performance and products with his clients. He explains that the clients he is currently<br />

working with are "not suffering from bad mothering," and thus he concentrates on the task <strong>of</strong> creating<br />

music, ready and available to deal with underlying emotional issues if they arise.<br />

260

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