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E-Book of Articles - World Federation of Music Therapy

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Turry, Alan: Performance and Product ....<br />

therapist. The therapist may have internalized the message from his<br />

supervisor to focus on the musical product rather than on the client's<br />

process-that success was measured on how the performance was perceived<br />

rather than on its effect on the clients overall progress.<br />

In the early days <strong>of</strong> the pr<strong>of</strong>ession, when many therapists did perform<br />

and produce products with their clients willingly, they were unaware <strong>of</strong><br />

these potential hazards, and unaware <strong>of</strong> their own personal motivations that<br />

might have impeded on the therapy process in a destructive way. 50 Under<br />

the guise <strong>of</strong> helping the client or promoting the field, therapists may have<br />

been acting on their own hidden agendas such as self-promotion, the need<br />

to feel self-important, and the need for recognition and acknowledgement.<br />

Some saw themselves as the only person trying to help the clients do<br />

something positive rather than reduce them to a diagnosis, and placed<br />

themselves unconsciously in the position <strong>of</strong> savior. They may have felt that<br />

music was the way to save the client, since music might have functioned for<br />

themselves in this way. They may have wanted their own music to be heard,<br />

and utilized the patients participation in order to achieve this. Perhaps the<br />

therapist was also a musical performer and assumed that since he enjoyed<br />

doing it, the patients would also. Perhaps the therapist chose to be a<br />

therapist in order to avoid the performance anxiety that comes with being a<br />

musician. Perhaps the performance was a way for the therapist to work on<br />

his own issues. Perhaps the therapist had always wanted to have his own<br />

band. These unconscious dynamics were potentially damaging for the client.<br />

The basic problem was this: if the therapist was acting on his own unmet<br />

desire to be a performer or pr<strong>of</strong>essional musician, who was watching out<br />

for the clients? Unconscious motivations were impeding on the therapy<br />

process and preventing the therapist from working on a deeper level with<br />

his clients, whether the therapist acknowledged the importance <strong>of</strong><br />

unconscious motivations or not.<br />

248

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