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E-Book of Articles - World Federation of Music Therapy

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Wheeler, Barbara: WMFT Proceedings <strong>of</strong> the Education Symposium<br />

Qualifications <strong>of</strong> <strong>Music</strong> <strong>Therapy</strong> Educators <strong>of</strong> the Canadian<br />

Association for <strong>Music</strong> <strong>Therapy</strong><br />

Connie Isenberg-Grzeda, MM, MTA, MT-BC<br />

Université du Québec à Montréal, Canada<br />

CAMT Standards and Procedures for the Approval <strong>of</strong> Undergraduate<br />

<strong>Music</strong> <strong>Therapy</strong> Programs (1995) stipulates that music therapy faculty<br />

members must hold a postgraduate degree and have completed training in<br />

music therapy at a recognized institution. Each music therapy faculty<br />

member must also be an accredited music therapist (MTA) with the<br />

equivalent <strong>of</strong> at least five years <strong>of</strong> full-time pr<strong>of</strong>essional experience in<br />

music therapy. In addition, the Standards and Procedures for the Approval<br />

<strong>of</strong> Graduate <strong>Music</strong> <strong>Therapy</strong> Programs document (May, 1999) stipulates that<br />

at least one faculty member must hold a PhD in music therapy or in an allied<br />

pr<strong>of</strong>ession. All faculty members in a graduate program must have made a<br />

significant academic or pr<strong>of</strong>essional contribution to the field <strong>of</strong> music<br />

therapy and have contributed to the educational development <strong>of</strong> music<br />

therapists through teaching or supervision. In addition, all faculty members<br />

must have research experience at the graduate level.<br />

Although not included in either document, it is my personal belief<br />

that faculty members must be currently involved in clinical work. They must<br />

have a sense <strong>of</strong> their own pr<strong>of</strong>essional identity, that is, they must be able to<br />

describe themselves as a music therapist or a music psychotherapist,<br />

understanding the distinctions between these roles and the links between<br />

these and that <strong>of</strong> a psychotherapist. They must be able to understand the<br />

impact <strong>of</strong> the conceptualization <strong>of</strong> their pr<strong>of</strong>essional identity on the content<br />

<strong>of</strong> their teachings.<br />

Faculty members must also understand the importance <strong>of</strong> and have<br />

the capacity to create a safe container for the students, parallel to that<br />

they create for patients. The educational process may generate anxiety and<br />

increase vulnerability, as students become more self-aware. Students<br />

deserve a safe, contained space in which to explore.<br />

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