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E-Book of Articles - World Federation of Music Therapy

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Schiltz-Ludwig, Lony: When Aggression is disturbed ...<br />

Rhythm allows an emotional and physical discharge. Pure<br />

rhythm was chosen by those who had unfulfilled narcissistic<br />

needs.<br />

Pure melody was chosen by those who had a<br />

symptomatology <strong>of</strong> depression behind their surface <strong>of</strong><br />

overadaptation. A melodious quest seemed to accompany the<br />

elaboration <strong>of</strong> the depressive position.<br />

The search <strong>of</strong> a stable basic pulsation, a rhythmic ostinato<br />

or merely a temporal link could be noticed with those who had<br />

to integrate the Law, to restore the paternal function and to<br />

develop an internal control over their chaotic feelings and<br />

drives.<br />

Two types <strong>of</strong> pleasure could be distinguished:<br />

A fusional archaic pleasure accompanied the first stage <strong>of</strong><br />

therapeutic regression close to the state <strong>of</strong> shared ecstasy<br />

appreciated by those who go to a rock concert.<br />

A more differentiated pleasure appeared in the final stage<br />

<strong>of</strong> therapy, close to the “flow” feeling identified by<br />

Csikszentmihalyi 10 , going on with intrinsic motivation, while<br />

discovering the possibility <strong>of</strong> improvising freely and <strong>of</strong> doing a<br />

work <strong>of</strong> musical composition. It was always a source <strong>of</strong><br />

psychological growth. Pleasure is so important because the<br />

adolescents suffering from a blockade <strong>of</strong> pulsional functioning<br />

are <strong>of</strong>ten anhedonistic.<br />

10 Csikszentmihalyi,M. Das Flow-Erlebnis, 1993<br />

206

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