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E-Book of Articles - World Federation of Music Therapy

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Wheeler, Barbara: WMFT Proceedings <strong>of</strong> the Education Symposium<br />

a subtle but very important shift. It was suggested that in North American<br />

academia, faculty are not given the freedom to do what is needed.<br />

It was also suggested that there needs to be a balance between personal<br />

issues and what is private. The program at New York University has<br />

personal groups for 2 years.<br />

It was questioned whether there is tension between the idea that trainers<br />

have responsibility for students’ welfare, and knowing that the student has<br />

another place to go for help as a therapist, and how students cope with not<br />

having private place for their training. In the UK, they can say that<br />

everyone needs to be in individual therapy in order to train as a music<br />

therapist. How does it feel for the student if their training institution is so<br />

involved in their personal life? Inge responded that students feel as though<br />

it is a private place because they have three people doing only that<br />

training. It was then asked if students can choose their own therapist?<br />

It was pointed out that it needed to be clear what kind <strong>of</strong> therapy was<br />

being talked about. There is a need to be clear when saying that 100 hours<br />

<strong>of</strong> therapy are required. This area needs more clarification.<br />

It was reemphasized that confidential information is not shared in the<br />

Aalborg system. It is very unusual that a student gets into such difficulties<br />

in their work that the study leader is confronted with personal<br />

information. It was also questioned how people in the UK can require<br />

students to do something that is not paid for. Is it written into the<br />

requirements? Helen Odell Miller responded that it is very clear to people<br />

entering the training. This is done in all <strong>of</strong> the UK now, and is written into<br />

the JVC document that was presented previously. It was, however, pointed<br />

out that this is a new system whereby therapy is compulsory. It is delivered<br />

in different ways in the various systems within the UK. Nord<strong>of</strong>f-Robbins<br />

trainees know that they will have music therapy throughout 2 years with<br />

same person, and that they do not have to pay for this therapy.<br />

This cannot be required in the U.S.<br />

The question was raised as to how students experience the ETMT therapy. A<br />

student at Temple University did a thesis on what students experienced in<br />

various types <strong>of</strong> experiential training (this has been done at Temple for 15<br />

years). She called people from different phases <strong>of</strong> the program. The thing<br />

that concerned them most was the GRADE, although all had been told that<br />

they were not going to get marked. This was thought to have been a fear <strong>of</strong><br />

an academic evaluation, retribution for what happened academically.<br />

Reference was made to articles on training analysis for psychoanalysis,<br />

which is not really considered an analysis because it is part <strong>of</strong> the training.<br />

This is done with Guided Imagery and <strong>Music</strong>. There is a level at which<br />

people know that it is part <strong>of</strong> the training. So if people go back to what the<br />

objectives are, and they really want personal growth and to look at<br />

themselves without deeper levels <strong>of</strong> concerns, maybe the music therapy<br />

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