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E-Book of Articles - World Federation of Music Therapy

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Turry, Alan: Performance and Product ....<br />

importance is that deep down he feels hopelessly unlovable and defective,<br />

so he seeks to create an ideal self through the pursuit <strong>of</strong> celebrity and<br />

external success. He constantly depends on others for approval and<br />

recognition. It is very difficult to establish trusting, intimate relationships<br />

for a person struggling with these issues.<br />

Lasch, a psychoanalyst and social critic, wrote in his seminal book,<br />

"The Culture <strong>of</strong> Narcissism", that this kind <strong>of</strong> personality structure is<br />

indicative <strong>of</strong> our contemporary society. It is not an isolated phenomenon to<br />

be found only in pathological states, but is created by the values and<br />

systems <strong>of</strong> our culture and is therefore present in all <strong>of</strong> us to a greater or<br />

lesser degree. Contemporary American culture places a high value on image<br />

(over substance), celebrity (over real accomplishment), self (over<br />

community), immediate gratification (over consideration <strong>of</strong> links to the past<br />

and the meaning for the future) and commercial success (over intrinsically<br />

meaningful work). He feels that these are symptoms <strong>of</strong> a lack <strong>of</strong> true<br />

emotional connection and belonging among people. In his view, we are all<br />

susceptible to these feelings <strong>of</strong> emptiness or inadequacy, and to combat<br />

them by yearning for fame or external recognition. It may be helpful for the<br />

music therapist to look at these phenomena in a broad sense, that there is a<br />

continuum where potentially every client who seeks to perform may have<br />

these issues lurking somewhere. It is also important for the therapist to see<br />

if his own motivations to perform with clients is stemming from this very<br />

same issue-his own desire to be recognized publicly as a defense against<br />

feelings <strong>of</strong> inadequacy or emptiness. It may be a countertransference<br />

reaction- that he is experiencing something lacking emotionally in the<br />

relationship with his client and is dealing with it by deciding to perform- or<br />

is acting on the clients unspoken desire to perform.<br />

Despite the fact that the external validation that comes from public<br />

acknowledgement does not vanquish these feelings <strong>of</strong> emptiness and<br />

inadequacy, performing may be an effective component <strong>of</strong> music therapy<br />

treatment with this kind <strong>of</strong> client. Kohut, the renowned psychoanalyst who<br />

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