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E-Book of Articles - World Federation of Music Therapy

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D'ulisse, M. E..: The Educational Formation Of The <strong>Music</strong> Therapist ...<br />

The Educational Formation Of The <strong>Music</strong> Therapist According To<br />

Benenzon’s Theory<br />

D’Ulisse M. E., Palermo M.T. School Glass Harmonica Anni Verde, Rome,<br />

Italy<br />

In Italy , as opposed in other countries, the figure <strong>of</strong> the music therapist<br />

does not yet have a specificity <strong>of</strong> its own, as far as its legal and pr<strong>of</strong>essional<br />

recognition is concerned.<br />

Given the current proliferation <strong>of</strong> courses and seminars <strong>of</strong> music therapy, it<br />

therefore becomes necessary to address the question <strong>of</strong> the educational and<br />

personal formation <strong>of</strong> the music therapist in a systematic and serious way.<br />

The schools that follow the BMT (Benenzon <strong>Music</strong> <strong>Therapy</strong>) identify a<br />

number <strong>of</strong> different fields <strong>of</strong> study <strong>of</strong> which the music therapist should have<br />

a basic theoretical knowledge: these fields range from anatomo-physiology<br />

and body expression, to pedagogy, and include studies <strong>of</strong> etno-musicology<br />

and evolution psychology.<br />

This evidently entails an interdisciplinary education which should precede,<br />

if only partially, the actual beginning <strong>of</strong> the course <strong>of</strong> study in any school <strong>of</strong><br />

<strong>Music</strong> <strong>Therapy</strong>.<br />

The heterogeneity <strong>of</strong> the cultural and academic backgrounds <strong>of</strong> future music<br />

therapists must thus lead to a broadening <strong>of</strong> perspectives as regards their<br />

educational formation, as well as to a more focused approach to the<br />

problems that are inherent to this discipline.<br />

Beyond this ‘informative’ aspect, which deals with the methodologies <strong>of</strong><br />

learning as applied to different subjects, we should not forget however,<br />

that in each music therapy meeting, there develops an actual relationship<br />

between the music therapist and his/her patients, which in turn brings to<br />

the surface problems <strong>of</strong> interaction, notably those <strong>of</strong> elaboration <strong>of</strong><br />

transferal and counter-transferal processes. It therefore becomes<br />

necessary, for the future music therapist, to follow a path <strong>of</strong> constant<br />

personal analysis in order to be able to know and face his/her own internal<br />

conflicts and regressive tendencies, comprehend the various modes <strong>of</strong><br />

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