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E-Book of Articles - World Federation of Music Therapy

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Bonde, Lars Ole: Analogy And Metapher In <strong>Music</strong> <strong>Therapy</strong> Theory ...<br />

Induction: Transforming the metaphor into an embodied induction image<br />

<strong>Music</strong> travel: Exploration and elaboration <strong>of</strong> the metaphor through music-<br />

assisted imagery<br />

Postlude: Using integrative imagery as a metaphoric bridge to cognitive<br />

operations.<br />

In this way the whole GIM session can be understood as a movement into the<br />

world <strong>of</strong> images, metaphors and symbols (through the induction <strong>of</strong> ASC), a<br />

thorough exploration in the musical-metaphoric mode <strong>of</strong> consciousness (in<br />

ASC), and a return to normal cognitive mode (NSC) using the imagery as a<br />

bridge - potentially synthesizing the wellknown and the unknown into<br />

insights <strong>of</strong> the client (and the therapist) through metaphoric and cognitive<br />

dialogue.<br />

But what is the relationship between image(ry) and metaphor? The question<br />

will be discussed more extensively later in the paper. My first, simple<br />

answer is that a metaphor is a lexical/verbal transformation <strong>of</strong> an embodied<br />

image. The image is the client’s experience in a specific representational<br />

mode (Horowitz 1983); the metaphor is a specific way <strong>of</strong> communicating it.<br />

Or speaking with Paul Ricoeur: The language <strong>of</strong> metaphor is a language <strong>of</strong><br />

images (Kemp p. 18)<br />

Siegelman (1990, p. ix) writes that metaphors have three characteristics:<br />

“1. They <strong>of</strong>ten represent “the outcropping <strong>of</strong> an unconscious fantasy”.<br />

2. They combine the abstract and the concrete in a special way, enabling us<br />

to go from the known and the sensed to the unknown and the symbolic.<br />

3. They achieve this combination in a way that typically arises from and<br />

produces strong feeling that leads to integrating (i.e. affectively grounded)<br />

insight.”<br />

Any GIM facilitator will recognize these points from successful sessions and<br />

therapies. It is also my point that the use <strong>of</strong> carefully selected music -<br />

meeting the needs <strong>of</strong> the client (and using the ISO-principle) and her level<br />

<strong>of</strong> metaphoric thinking - 1. makes the “outcropping” easier, 2. prolongs and<br />

deepens the experience <strong>of</strong> meeting the unknown, 3. secures a deep<br />

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