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E-Book of Articles - World Federation of Music Therapy

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D'ulisse, M. E.. et al.: <strong>Music</strong> <strong>Therapy</strong> Conducted On A Child ...<br />

After the evaluation period, having decided to continue the music therapy<br />

treatment, we made some changes to the setting from the sixth session<br />

onwards so as to establish clear rules <strong>of</strong> behavior:<br />

1) every time R rushed out <strong>of</strong> the room, one <strong>of</strong> the therapists would stay in<br />

the room while the other would follow him without interacting with him;<br />

2) the instruments could not be taken outside the setting;<br />

3) some instruments were changed for others which would enable R to act<br />

out his aggression without any danger.<br />

These new rules immediately gave shape to the sessions and caused a<br />

change in R’s behavior – at first he was surprised, but this was followed by<br />

partial acceptance. Another aim <strong>of</strong> the changes was to differentiate normal<br />

sessions from those with the parents. From the outset, they had shown<br />

themselves to be incapable <strong>of</strong> consistent behavior towards their son, always<br />

saying yes to him and giving in to his every wish.<br />

From the seventh session onwards, R began to accept the fact that he would<br />

have to take <strong>of</strong>f his shoes and the heavy corrective brace before starting the<br />

session. Apart from making him feel more at ease, this enabled the two<br />

therapists to relax a little more since these items had been used by R to<br />

show his aggression (throwing the brace around and kicking us with his<br />

heavy shoes).<br />

Generally speaking, during early observation-evaluation sessions with<br />

children, the normal practice in “Anni Verdi” centers is to interview the<br />

parents (or at least one <strong>of</strong> them) in order to gather all pertinent information<br />

about the child’s background and audio experience, and to set up an<br />

atmosphere <strong>of</strong> collaboration and comprehension with the family so as to<br />

facilitate the working <strong>of</strong> the music therapy sessions. In the case <strong>of</strong> this<br />

family, these interviews proved to be extremely difficult right from the<br />

outset because both parents, especially the father, talked without stopping<br />

not so much about their son’s therapy but more about their situation – their<br />

desire to be recognized as victims <strong>of</strong> their son’s illness and their desperate<br />

need for every sort <strong>of</strong> help, in search <strong>of</strong> someone or something to whom<br />

they could delegate all decisions regarding themselves and their son. The<br />

father’s manner <strong>of</strong> speaking was excited, overwhelming and <strong>of</strong>ten<br />

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