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E-Book of Articles - World Federation of Music Therapy

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Raglio, Alfredo: Qualitative Research<br />

to the carrying out <strong>of</strong> the sessions and the stiffness <strong>of</strong> the methodology<br />

rules.<br />

There have been problems connected with continuity,anxiety about<br />

possible results and the conditioning <strong>of</strong> the inexorable methodological<br />

inflexibility.<br />

There is a macroscopic difference between the structuring <strong>of</strong> sessions with<br />

therapeutic objectives and those with research objectives;in the latter the<br />

music therapist is just watching and is consequently "neutral" and should<br />

limit his gestures to the minimum.Any variation added by him would alter<br />

the results and the objectivity <strong>of</strong> observation and evaluation.<br />

Another important aspect was the criterion for collecting data;we outlined<br />

observation protocols to quantify data related to the relationship and<br />

production, at the same time trying to safeguard that amount <strong>of</strong> non<br />

quantifiable emotions which are <strong>of</strong> primary importance to every therapy and<br />

to every artistic-creative process.We did not want to achieve a technicality<br />

at the expense <strong>of</strong> the most emotional and inner responses because they<br />

are,probably, the most meaningful aspects in a therapeutic process.<br />

That is why it is necessary to find a technique more effective from a<br />

therapeutic point <strong>of</strong> view, and also to deepen the knowledge linked to the<br />

sound/relationship correlation and to improve the methodology <strong>of</strong> the <strong>Music</strong><br />

<strong>Therapy</strong> treatment.<br />

The goal <strong>of</strong> the first phase <strong>of</strong> the research (with patients) was to establish a<br />

comparison between <strong>Music</strong> <strong>Therapy</strong> and other techniques <strong>of</strong> non-verbal<br />

communication by emphasizing the specific use <strong>of</strong> the sound-music element in the<br />

music -therapeutic context.<br />

In the second phase <strong>of</strong> the research (with patients and a control group <strong>of</strong><br />

healty people) we studied the body-sound-music expressive possibilities in<br />

different music therapeutic settings. This showed a significant variation <strong>of</strong><br />

replies depending on the different settings.<br />

The research work will be continued by a third phase (with patients and a<br />

control group <strong>of</strong> healthy people) aimed to analyze the influence <strong>of</strong> the<br />

presence and action <strong>of</strong> the music therapist in the setting.<br />

157

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