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E-Book of Articles - World Federation of Music Therapy

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Wheeler, Barbara: WMFT Proceedings <strong>of</strong> the Education Symposium<br />

and other feelings related to intimate relationships<br />

In these two steps <strong>of</strong> the learning process conscious awareness <strong>of</strong><br />

projections and transferences are addressed musically and<br />

verbally.<br />

learning to recognise oneself in ”ones own eyes” instead <strong>of</strong> in the<br />

eyes <strong>of</strong> other<br />

people<br />

learning to act the way you feel is right for you, independent <strong>of</strong><br />

parent censorship<br />

and <strong>of</strong> your own defence mechanisms, in a responsible way for<br />

yourself and others<br />

In these two steps <strong>of</strong> the learning process conscious awareness <strong>of</strong><br />

introjections are addressed musically and verbally.<br />

learning how to develop important tools for clinical music therapy<br />

work when you contain feelings at the same time as you allow feelings to<br />

appear and to be used as information in the relationship and interaction.<br />

In this last step <strong>of</strong> the learning process self-containment as a<br />

music therapy tool is addressed.<br />

This way <strong>of</strong> understanding therapeutic learning process is only one<br />

way <strong>of</strong> understanding, and it is related to a psychoanalytical/psychodynamic<br />

way <strong>of</strong> understanding human beings.<br />

Paradoxes<br />

In order to avoid ”trust problems” the ETMT teachers have to be<br />

conscious <strong>of</strong>, and to deal with paradoxes such as:<br />

Remember / Forget<br />

The ETMT teacher is the one who is supposed to remember the<br />

important information the student brings into the process work. On the<br />

other hand the ETMT teacher has to enter each individual therapy session<br />

with students knowing exactly nothing – thus letting the student be present<br />

and have a chance to “be born” in each new moment.<br />

A Disciplined Way <strong>of</strong> being present (disciplined subjectivity) / Being rather<br />

authentic<br />

The ETMT teacher has to be able to deal consciously with<br />

transference and counter-transference. In these situations the work <strong>of</strong> the<br />

ETMT teacher can be compared with that <strong>of</strong> an actress on the stage – the<br />

role must be so convincingly played that it moves the audience.<br />

But at the same time the ETMT teacher must be as authentic as<br />

possible in her/his way <strong>of</strong> being present in the different situations in order<br />

to keep the basic trust <strong>of</strong> the student-client alive.<br />

Knowledge / No knowledge<br />

336

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