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Science, Strategy and War The Strategic Theory of ... - Boekje Pienter

Science, Strategy and War The Strategic Theory of ... - Boekje Pienter

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character or nature <strong>of</strong> a system within itself. Moreover, attempts to do so lead toconfusion <strong>and</strong> disorder -- mental as well as physical. Point: We need an externalenvironment, or outside world, to define ourselves <strong>and</strong> maintain organic integrity,otherwise we experience dissolution/disintegration--i.e., we come unglued.Moral fibre or moral order is the glue that holds society together <strong>and</strong> makes socialdirection <strong>and</strong> interaction possible. Point: without the glue social order pulls aparttowards anarchy <strong>and</strong> chaos leaving no possibility for social direction <strong>and</strong> interaction.Living systems are open systems; closed systems are non-living systems. Point: If wedon’t communicate with outside world -- to gain information for knowledge <strong>and</strong>underst<strong>and</strong>ing as well as matter <strong>and</strong> energy for sustenance -- we die out to become anon-discerning <strong>and</strong> uninteresting part <strong>of</strong> that world.In one form or another, in various scales <strong>and</strong> in different realms, these illustrations revealthat ‘as human beings, we cannot exist without an external or surrounding environment fromwhich we can draw sustenance, nourishment, or support. Reaching back to two themes fromPatterns <strong>of</strong> Conflict, Boyd recasts this insight as the message that ‘interaction permits vitality <strong>and</strong>growth while isolation leads to decay <strong>and</strong> disintegration’ 55 .And with that, Boyd has come to the core, the most barren essence, the shortest yetdeepest principle <strong>of</strong> strategy. Indeed, Boyd now states, ‘<strong>The</strong> theme associated with the essay D&C<strong>and</strong> the presentations ‘Patterns <strong>of</strong> Conflict’ <strong>and</strong> ‘Organic Design’ is one <strong>of</strong> Interaction <strong>and</strong> Isolation’. WhileOrganic Design emphasizes interaction, Patterns <strong>of</strong> Conflict emphasizes isolation. <strong>The</strong> essayDestruction <strong>and</strong> Creation is balanced between interaction <strong>and</strong> isolation 56 . Now Boyd is ready toput this in a strategic perspective.<strong>Strategic</strong> PerspectiveBoyd has thus answered the question in the title: ‘<strong>The</strong> <strong>Strategic</strong> Game is one <strong>of</strong> Interaction <strong>and</strong>Isolation’. That is what strategy is about: it is ‘a game in which we must be able to diminish anadversary’s ability to communicate or interact with his environment while sustaining or improving ours’ 57 .<strong>The</strong> obvious question then is again the pragmatic side <strong>of</strong> it: how does one do that.Again following J.F.C. Fuller’s dimensions <strong>of</strong> control, he lists the three components - or hererather dimensions - he already introduced in Patterns <strong>of</strong> Conflict: the mental, moral <strong>and</strong> physicaldimension, to analytically break up the enemy system <strong>and</strong> look for ways to apply the strategicprinciple <strong>and</strong> achieve isolation 58 . Although already employed before, also in theirinterrelationship, Boyd now thinks it appropriate to define the three dimensions <strong>and</strong> explainwhy we should use these 59 :Physical represents the world <strong>of</strong> matter-energy-information all <strong>of</strong> us are a part <strong>of</strong>, live in,<strong>and</strong> feed upon.Mental represents the emotional/intellectual activity we generate to adjust to, or copewith, that physical world.Moral represents the cultural codes <strong>of</strong> conduct or st<strong>and</strong>ards <strong>of</strong> behavior that constrain,as well as sustain <strong>and</strong> focus, our emotional/intellectual responses.55 Ibid, p.29. Italics are mine.56 Ibid, p.30.57 Ibid, p.33. Italics are mine.58 Ibid, p.34.59 Ibid, p.35.251

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