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BODY AND PRACTICE IN KANT

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136<br />

THE <strong>BODY</strong> <strong>IN</strong> THE CRITIQUE<br />

understand the corresponding theory of the Critique. 21 However, this is<br />

not followed up by a more comprehensive analysis.<br />

4.3 Some trends and positions in the interpretation of the Critique<br />

The aim of this section is to give a brief outline of where I locate myself<br />

relative to some existing interpretations of the Critique. As has been<br />

pointed out, in content as well as in style, the Critique represents a<br />

tremendous challenge to the philosophical scholar. 22 This may account<br />

for the exuberant manifold of interpretations produced in its aftermath.<br />

The following is intended not as a comprehensive presentation of the<br />

various interpretations offered, but only as a rough outline of some<br />

representative trends. 23<br />

The disagreement surrounding the Critique concerns a number of<br />

questions. An initial question is whether the text constitutes a coherent<br />

piece of philosophy, or whether it is more like a patchwork of fragments<br />

loosely combined. A well-known representative of the last position is<br />

Norman Kemp Smith who argues that the Critique is a collection of<br />

argumentative fragments belonging to different phases of Kant’s<br />

intellectual development, more or less loosely connected. 24 Paul Guyer is<br />

often presented as a modern representative of this view. 25 Numerous<br />

interpreters have also complained that the Critique contains serious<br />

inconsistencies, thereby questioning the coherence and unity of the work<br />

from a somewhat different angle. 26<br />

I belong to those who see the Critique as a fundamentally coherent<br />

and unified work. However, I also believe it to be a text extremely rich in<br />

21<br />

Pitte (1978), xx.<br />

22<br />

As a curiosity, it may be noted that in the Anthropology (Ak VII: 137) Kant<br />

espouses the idea that a certain level of obscurity [ein gewisser Grad des<br />

Rätselhaften] in a text may have a positive effect on the reader. It allows him to<br />

become aware of his own skills in bringing to light the hidden message of the text.<br />

If Kant is right, then the obscurity of the Critique may perhaps explain some of<br />

the fascination exerted by it upon the philosophic community since its<br />

publication.<br />

23<br />

Some general aspects of the history of the interpretation of the Critique are<br />

found in e.g. Kitcher (1990), 3ff and Gardner (1999), 30. Zoeller (1993) discusses<br />

more recent developments.<br />

24<br />

Kemp Smith (1918).<br />

25<br />

Cf. Guyer (1987).<br />

26<br />

Cf. e.g. Bennett (1966), 4, 29 and 142; Strawson (1973), 16 and Neujahr<br />

(1995), 2.

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