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BODY AND PRACTICE IN KANT

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66<br />

As to the way in which each part of an object is placed with respect to<br />

our body, we perceive it no differently through our eyes than with our<br />

hands. Moreover, our knowledge of it does not depend on an image<br />

or on any action by the object, but only on the arrangement of the<br />

small parts of the brain where the nerves originate – for this<br />

arrangement, which changes so little with each shift in disposition of<br />

the members reached by the nerves, is of such a nature as not only to<br />

make known to the soul where each part of the body it animates is in<br />

relation to the other parts but also to enable the soul to shift its<br />

attention to the entire area that lies within such straight lines as we<br />

might imagine drawn from the end of each of these parts and<br />

extended to infinity. 11<br />

Descartes also draws special attention to the movements of our muscles:<br />

Likewise, when our eye or our head is turned toward one side, our<br />

soul is alerted by the change that the nerves leading from the muscles<br />

used for these movements cause in our brain. 12<br />

In a parallel argument, in his Essay towards a new theory of vision<br />

Berkeley draws attention to the sensations aroused by the movements of<br />

the pupils as one of the many sensations from which we gain information<br />

on the spatial distance between objects and ourselves.<br />

It is certain by Experience, that when we look at a near Object with<br />

both Eyes, according as it approaches, or recedes from us, we alter<br />

the Disposition of our Eyes, by lessening or widening the Interval<br />

between the Pupils. This Disposition or Turn of the Eyes is attended<br />

with a Sensation, which seems to me, to be that which in this Case<br />

brings the Idea of greater, or lesser Distance into the Mind. 13<br />

The idea of spatial properties of objects in the first place, however,<br />

according to Berkeley, is produced by touch. The idea that objects do not<br />

change in size, contrary to what seems to be the fact from our visual<br />

impressions of them as we either approach or recedes from them, is also<br />

derived from touch, he argues:<br />

11 Quoted from Herrnstein (1986), 113-14.<br />

12 Ibid., 114.<br />

13 Ibid., 120.<br />

<strong>BODY</strong> <strong>AND</strong> SPACE

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