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BODY AND PRACTICE IN KANT

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64<br />

<strong>BODY</strong> <strong>AND</strong> SPACE<br />

here which is Kant’s view on the embodied basis of spatial<br />

experience. 7<br />

A central problem for those interested in the embodied basis of spatial<br />

experience was to explain the fact that we experience visual space as<br />

three-dimensional. The seventeenth and eighteenth-century natural<br />

philosophers understood the internal structure of the eye very well and<br />

knew that visual images were produced by rays of light affecting the<br />

retina. But as the retina is two-dimensional, how can rays of light<br />

affecting it produce three-dimensional visual images? Berkeley presents a<br />

version of this problem in his Essay towards a new theory of vision from<br />

1709 thus:<br />

It is, I think, agreed by all that Distance of it self, and immediately<br />

cannot be seen. For Distance being a Line directed end-wise to the<br />

Eye, it projects only one Point in the Fund of the Eye. Which Point<br />

remains invariably the same, whether the Distance be longer or<br />

shorter. 8<br />

A ray of light will always hit the retina at one point only, Berkeley argues,<br />

and whether the ray originates from near or far makes no difference.<br />

How, then, do we see things to be either near or far away? How do we<br />

visually perceive distance, and so three-dimensional space?<br />

In suggesting solutions to this problem, most natural philosophers in<br />

one way or another resorted to our capacity for moving our bodies. A<br />

famous example is supplied by Étienne Bonnet de Condillac (1715-1780)<br />

in his work Traité des sensations from 1754. Here he imagined a marble<br />

statue internally constituted like a living human being, but having a mind<br />

deprived of all ideas, and with all its senses closed, so that it would be<br />

possible to open them one at a time and to analyze their relationship.<br />

Condillac argued that hearing, taste, and sight would produce in the<br />

statue no idea of exteriority. To show how the perception of<br />

phenomenological exteriority arises, he therefore added to the statue the<br />

sense of touch. The term le toucher used by Condillac includes a number<br />

of elements, such as the awareness we have of processes internal to the<br />

7 I do not intend to give anything like a complete account of the discussion taking<br />

place between philosophers and scientists of the eighteenth century focusing on<br />

the embodied aspect of spatial experience, but only enough to serve as a<br />

background. A brief but still excellent survey of some main lines of this debate is<br />

found in Kitcher, which also serves as a basis for the following exposition, cf.<br />

Kitcher (1990), and also Herrnstein (1968).<br />

8 Quoted from Herrnstein (1968), 118.

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