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BODY AND PRACTICE IN KANT

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SPATIAL SCHEMATISM 207<br />

6.13 Falkenstein’s argument concerning intuition and body in the<br />

Critique<br />

In this chapter I have emphasized the connection between Kant’s theory<br />

of spatial experience in the Transcendental aesthetic and his theory of<br />

spatial schematism as found in the schematism chapter. Both these<br />

theories demand that we see the cognitive self as embodied, and that the<br />

cognitive operations ascribed to this self are taken to involve embodied<br />

acts. In this section I shall discuss an interpretation that to some extent<br />

moves along the same lines. It is found in Lorne Falkenstein’s Kant’s<br />

Intuitionism. 53 In an argument somewhat different from mine but with a<br />

similar conclusion, Falkenstein argues that Kant’s theory of intuition in<br />

the Transcendental aesthetic implies that the cognitive self of the<br />

Critique is embodied.<br />

Falkenstein’s interpretation is interesting, because even if he admits<br />

this, and even if he contends that the term ‘affection’ in Kant’s theory of<br />

intuition refers to the affection of the body, he denies that the notion of<br />

embodied acts has anything to do with Kant’s theory of space. Actually,<br />

he argues, our experience of space does not require any activity on behalf<br />

of the agent at all. In this way, Falkenstein’s interpretation runs contrary<br />

to my reading of Kant’s critical theory of space. I shall briefly consider<br />

this interpretation and then suggest how it may be dealt with.<br />

A basic premise of Falkenstein’s interpretation is the idea expressed<br />

by Kant in the Transcendental aesthetic that space is given. According to<br />

Falkenstein, this implies that our perceptions are spatially structured<br />

when they are taken up by the mind, i.e. prior to any activity. This again<br />

implies not only that the cognitive self exists in time, as Shaper has also<br />

pointed out, 54<br />

but also that this self has an existence in space as well, i.e.<br />

that it is an embodied self, even if this is not explicitly stated in the<br />

Critique. Falkenstein’s argument may be summarized by saying that as<br />

the stimuli corresponding to our perceptions hit the body at various<br />

places, they are spatially structured from the very start, and that is why<br />

Kant can contend that space is given. That is, space is from the very<br />

beginning an aspect of the manner in which sensations are received. He<br />

concludes:<br />

53<br />

Falkenstein (1995), cf. also Falkenstein (1998).<br />

54<br />

Shaper (1992).

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