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BODY AND PRACTICE IN KANT

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202<br />

SPATIAL SCHEMATISM<br />

suggested. As we saw in an earlier chapter, Kant allows cognitive acts<br />

and processes to take place without consciousness. This idea, in a slightly<br />

modified version, is also explicitly present in the Critique. Instead of<br />

saying that part of the cognitive process, or the representations involved,<br />

are unconscious, Kant now introduces the notion of ‘obscure’ [dunkele]<br />

representations. An obscure representation, he explains, is not totally<br />

without consciousness, but it is a representation with very little<br />

consciousness. This revision may be seen as the necessary consequence of<br />

the idea, promoted in the Critique, that the ‘I think’ is a consciousness<br />

that accompanies all concepts. Consciousness in general is not a<br />

representation by which a certain object may be discerned, but simply<br />

the general form of an object, insofar as it is to count as part of our<br />

knowledge (A 346/B 404). According to this theory, consciousness is an<br />

absolute condition of having experience [Erkenntnis]. This does not<br />

mean, however, that cognition is always conscious in the ordinary sense<br />

of the term, that is, being the explicit focus of attention. There are a<br />

number of representations that are not explicit in this way. Kant calls<br />

these representations obscure. Cognition involving these representation<br />

may be said to proceed at an obscure level.<br />

The notion of an obscure representation is defined in a footnote at B<br />

414-415:<br />

Clarity is not, as the logicians say, the consciousness of a<br />

representation; for a certain degree of consciousness, which, however,<br />

is not sufficient for memory, must be met with even in some obscure<br />

representations, because without any consciousness we would make<br />

no distinction in the combination of obscure representations; yet we<br />

are capable of doing this with the marks of some concepts (such as<br />

those of right and equity, or those of a musician who, when<br />

improvising, hits many notes at the same time). Rather a<br />

representation is clear if the consciousness in it is sufficient for a<br />

consciousness of the difference between it and others. To be sure, if<br />

this consciousness suffices for a distinction, but not for a consciousness<br />

of the difference, then the representation must still be called obscure.<br />

So there are infinitely many degrees of consciousness down to its<br />

vanishing. (B 414-415)<br />

The distinction between clear and obscure representations does not<br />

conform to the opposition between conscious and unconscious<br />

representations. There are obscure representations among which we<br />

make distinctions, and this we could not do without consciousness. What<br />

makes these distinctions obscure is the fact that the consciousness<br />

involved is too weak to leave behind any memories.

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