07.12.2012 Views

BODY AND PRACTICE IN KANT

BODY AND PRACTICE IN KANT

BODY AND PRACTICE IN KANT

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

158<br />

SPATIAL EXPERIENCE <strong>AND</strong> THE <strong>BODY</strong> <strong>IN</strong> THE CRITIQUE<br />

in it. 4 Falkenstein’s discussion of the connection between space and<br />

embodiment in the Critique will be discussed separately in a later<br />

chapter.<br />

5.1 A brief remark about the structure of my argument<br />

The claim that Kant’s critical theory of space may be thought of in part<br />

as the abstract version of his embodied theory of space will be supported<br />

by more than one line of argument. In this chapter I shall present a<br />

rather lengthy argument focusing on the similarity in structure between<br />

the two theories, emphasizing the following similarities: In both theories<br />

the cognitive subject is said to arrive at experience of spatially extended<br />

objects in three-dimensional space through a process in which the subject<br />

is both passive and active. Moreover, there is a characteristic reciprocity<br />

between these active and passive aspects. This, I will refer to as the<br />

‘active-passive character’ of the process. This is present, I will argue, in<br />

both Kant’s critical and embodied theories of space. This demonstration<br />

of a parallel structure is not intended to constitute a decisive proof that<br />

the former theory is an abstract version of the latter in the way specified.<br />

Similarity of structure between two theories alone does not prove that the<br />

one is an abstract version of the other. Thus, the similarity-in-structureargument<br />

is intended as nothing but the first step in a line of arguments<br />

that will continue in the next chapter.<br />

Even if I do not want to put too much emphasis on the similarity-instructure-argument,<br />

I think it merits a place here. For one thing, it is not<br />

obvious that the two theories I compare really are similar in the way I<br />

claim. For instance, not all interpreters agree that Kant’s critical theory<br />

of space qua form of intuition involves the idea that space is constituted<br />

by the activity of the cognitive self. 5 As part of the argument to be<br />

presented in this chapter, I will also examine central parts of the<br />

Transcendental aesthetic and the Transcendental logic. This<br />

4 He writes: ‘Der Mensch als leibliches Wesen [...] bringt sich selbst als Körper<br />

mit im Bereich des Weltraumes unter.’ (Kaulbach (1960), 114). A similar point is<br />

also made by Melnick (1989), 5ff. From Kant’s idea that space is a continuum, he<br />

argues that to Kant only the flowing nature of spatial production or construction<br />

by an embodied agent may account for this character of a continuum.<br />

5 Cf. e.g. Falkenstein (1995), 4 and 99, and also Obergefell (1985), 200. In general<br />

I think that all those who reject Kant’s transcendental psychology would have to<br />

meet with suspicion the idea that space is constituted by the activity of the<br />

cognitive self, cf. chapter 4 of this work.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!