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BODY AND PRACTICE IN KANT

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THE RELATIONAL CATEGORIES 281<br />

possibility of such a time. Our appearances would then relate to two<br />

separate times flowing side by side. But this is clearly beyond reason (A<br />

188-189/B 231-232). Even if it is perhaps not crystal clear what this<br />

argument achieves, it confirms what seems to be Kant’s basic point in the<br />

first analogy. A representation of a single and unified time is possible only<br />

under the condition that we think of the appearances of nature as being<br />

founded on something the quantity of which is neither increasing or<br />

decreasing.<br />

10.2 The second analogy<br />

Looking at what Kant is trying to achieve with the three analogies, the<br />

first one has laid down some foundations, but he has not yet told us how<br />

it is possible to have knowledge of the objective order of time. This<br />

question is dealt with in the second analogy. This presents what he refers<br />

to as ‘the principle of temporal succession according to the law of<br />

causality’. In the B-edition, the principle is expressed in this way:<br />

All alterations occur in accordance with the law of the connection of<br />

cause and effect. (B 232)<br />

The proof following this principle states that only if experience is<br />

organized according to the principle of cause and effect can we<br />

determine the objective time order of two events. This is possible, Kant<br />

argues, for the reason that when we have determined an event A to be<br />

the cause of another event B, then, as part of this determination, we have<br />

also determined that B follows A. Thus, we have also established an<br />

objective time relation between A and B (A 192/B 237).<br />

To illustrate this proof Kant presents his famous example of the<br />

house and the ship. Imagine, first, that you are observing a house.<br />

According to his theory of apprehension, you have to take it into your<br />

consciousness part by part. Now, it is clear that the order in which the<br />

different parts of the house are apprehended is not determined by any<br />

rule. This means that the parts may be apprehended in a number of<br />

different ways. In this sense, the order of apprehension is accidental.<br />

Imagine now that you see a ship drifting down a river. At one moment<br />

you see the ship at one point in the river and some time later you observe<br />

it at a lower point in the river. In this case, Kant argues, you cannot first<br />

apprehend the ship at the lower point and then, at some later time,<br />

apprehend it at the higher position. The order of the succession of<br />

perceptions is here determined by something transcending the subjective<br />

order of apprehension.

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