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BODY AND PRACTICE IN KANT

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172<br />

SPATIAL EXPERIENCE <strong>AND</strong> THE <strong>BODY</strong> <strong>IN</strong> THE CRITIQUE<br />

In the Aesthetic I ascribed this unity merely to sensibility, only in<br />

order to note that it precedes all concepts, though to be sure it<br />

presupposes a synthesis, which does not belong to the senses but<br />

through which all concepts of space and time first become possible. (B<br />

161-162, note)<br />

The passage has to be read slowly in order to not miss what is said. Time<br />

and space has a unity that is prior to all concepts. As such, the idea of this<br />

unity belongs within the context of the Transcendental aesthetic where<br />

sensibility is described in abstraction from the understanding. Still this<br />

unity presupposes a synthesis that does not belong to the senses. What is<br />

to be inferred from this? What may be inferred, I think, is that the theory<br />

of sensibility in the Transcendental aesthetic does presuppose activity, i.e.<br />

synthesis, after all. How? This question is answered in two steps in the<br />

footnote at B 161-162.<br />

First Kant states that the concepts of time and space are made<br />

possible through synthesis, then he goes a step further. Through the<br />

synthesis by which the understanding determines sensibility, space and<br />

time, considered as intuitions, are originally given.<br />

For since through it (as the understanding determines the sensibility)<br />

space or time are first given as intuitions, the unity of this a priori<br />

intuition belongs to space and time, and not to the concept of the<br />

understanding (B 162, note, my emphasis)<br />

The passage comes late in the B-deduction in a footnote and the point is<br />

made only once. It is therefore possible to argue that it should not be<br />

given much weight. It might be a mistake or not express an idea that<br />

Kant really wanted to put forward.<br />

I think the opposite. I think the position stated in the passage at B 162<br />

represents Kant’s final position. Kant does not specify, that is right,<br />

which of the previously mentioned syntheses that he has in mind at this<br />

point, and given the rather complex taxonomy of syntheses that he has<br />

offered, I will for the moment abstain from making a guess. The<br />

significant point, however, is that he now, as he did in the A-deduction,<br />

explicitly states that space (and) time are first given as intuitions through<br />

our own synthesizing activity. In this sense, our basic representation of<br />

space presupposes the activity of the mind, or of the cognitive self. And<br />

this was what I set out to prove here.

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