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БОЖЕСТВЕННА П’ЯТІРКА З ДАНІЇ HIGH FIVE FROM DENMARK<br />

Tue Steen Müller,<br />

film consultant<br />

I have done the High Five with the<br />

grandchildren again and again, when we<br />

have achieved something together. We<br />

made it! Be it building a Ninjago Lego,<br />

baking buns or making an espresso for<br />

grandfather.<br />

When I arrive in Kyiv, thanks to a generous<br />

invitation from the festival, I will do a<br />

High Five with Victoria Leshchenko, who<br />

has been struggling to get copies to show<br />

to the festival audience. Entering the age<br />

of digitalization, the Danish Film Institute<br />

does not have resources to have files of ‘old’<br />

films. But we made it!<br />

So now you think that the High (Quality) Five<br />

films that I have chosen to show to you are<br />

‘old’. They are – for some, in terms of their year<br />

of production – but they are still fresh, and<br />

they are definitely by filmmakers who have<br />

set the agenda for the further development<br />

of documentaries from Denmark.<br />

I have chosen Jørgen Leth, an icon in<br />

Danish film, literature, journalism and show<br />

business, who together with Ole John made<br />

the playful examination of movements<br />

Motion Picture (1970) and the trend-setting<br />

pop-art film 66 Scenes from America (1981).<br />

And Jon Bang Carlsen, like Leth an<br />

internationally acclaimed film director, who<br />

– a couple of decades before the so-called<br />

hybrid film – worked with what he called<br />

‘staged documentary’, one of them being It’s<br />

Now or Never (1996). A true artist, who also<br />

paints and writes books.<br />

And then I chose the two films that won<br />

the main awards at the IDFA festival in<br />

Amsterdam because of their novelty and<br />

originality: Sami Saif and Phie Ambo made<br />

Family (2001) and Pernille Rose Grønkjær<br />

The Monastery (2006). Both use a classical<br />

dramaturgy, constructed as if they were<br />

fiction, dramatic – but shot with small<br />

cameras over a long period, great stories<br />

which were constructed in the editing room.<br />

The two films have set new standards for<br />

development and production in Denmark…<br />

... as you will be able to discover at the<br />

90-minute talk with clips that I will give on<br />

Danish Docs during DOCU/CLASS.<br />

133

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