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БОЖЕСТВЕННА П’ЯТІРКА З ДАНІЇ HIGH FIVE FROM DENMARK<br />
Tue Steen Müller,<br />
film consultant<br />
I have done the High Five with the<br />
grandchildren again and again, when we<br />
have achieved something together. We<br />
made it! Be it building a Ninjago Lego,<br />
baking buns or making an espresso for<br />
grandfather.<br />
When I arrive in Kyiv, thanks to a generous<br />
invitation from the festival, I will do a<br />
High Five with Victoria Leshchenko, who<br />
has been struggling to get copies to show<br />
to the festival audience. Entering the age<br />
of digitalization, the Danish Film Institute<br />
does not have resources to have files of ‘old’<br />
films. But we made it!<br />
So now you think that the High (Quality) Five<br />
films that I have chosen to show to you are<br />
‘old’. They are – for some, in terms of their year<br />
of production – but they are still fresh, and<br />
they are definitely by filmmakers who have<br />
set the agenda for the further development<br />
of documentaries from Denmark.<br />
I have chosen Jørgen Leth, an icon in<br />
Danish film, literature, journalism and show<br />
business, who together with Ole John made<br />
the playful examination of movements<br />
Motion Picture (1970) and the trend-setting<br />
pop-art film 66 Scenes from America (1981).<br />
And Jon Bang Carlsen, like Leth an<br />
internationally acclaimed film director, who<br />
– a couple of decades before the so-called<br />
hybrid film – worked with what he called<br />
‘staged documentary’, one of them being It’s<br />
Now or Never (1996). A true artist, who also<br />
paints and writes books.<br />
And then I chose the two films that won<br />
the main awards at the IDFA festival in<br />
Amsterdam because of their novelty and<br />
originality: Sami Saif and Phie Ambo made<br />
Family (2001) and Pernille Rose Grønkjær<br />
The Monastery (2006). Both use a classical<br />
dramaturgy, constructed as if they were<br />
fiction, dramatic – but shot with small<br />
cameras over a long period, great stories<br />
which were constructed in the editing room.<br />
The two films have set new standards for<br />
development and production in Denmark…<br />
... as you will be able to discover at the<br />
90-minute talk with clips that I will give on<br />
Danish Docs during DOCU/CLASS.<br />
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