23.03.2013 Views

Download (23MB) - University of Salford Institutional Repository

Download (23MB) - University of Salford Institutional Repository

Download (23MB) - University of Salford Institutional Repository

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Table 1.3 Individualist (LCC) and Collectivist (HCC) Communicative<br />

Behaviour<br />

Individualism Collectivism<br />

Emphasis on "I" identity Emphasis on "We" identity<br />

Self-face concern<br />

Need for autonomy,<br />

Other-face concern<br />

Need for inclusion, association<br />

disassociation (neg. face (pos. face need)<br />

need)<br />

Self-oriented facework Other-oriented facework<br />

Direct speech style<br />

Controlling / confrontational<br />

style<br />

Competitive strategies<br />

Direct emotional expression<br />

Indirect speech style<br />

Obliging / avoidance style<br />

Integrative strategies<br />

Indirect emotional expression<br />

Derived from Ting-Toomey (1988,230)<br />

Although useful in helping us to 'classify' various cultures - largely<br />

emphasising and reinforcing East-West differences - the real conceptual<br />

ramifications for understanding facework as an interpersonal practice are those<br />

concerning the status <strong>of</strong> the individual, or more specifically, the<br />

conceptualisation and status <strong>of</strong> 'self<br />

Several cross-cultural studies have noted that a true understanding <strong>of</strong><br />

face and facework practices can only be achieved if one takes into account the<br />

nature and status <strong>of</strong> the self. The concept used in cross-cultural reading s <strong>of</strong><br />

selfhood is somewhat different to the concept as employed in the work <strong>of</strong><br />

G<strong>of</strong>fman (1967) or sociological literature in general. It is however one which is,<br />

albeit <strong>of</strong> a different conceptual provenance, essential to the understanding <strong>of</strong><br />

facework as universal practice.<br />

33

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!