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Untitled - Azam Abidov - poet and translator

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CAROL MOLDAW<br />

Carol Moldaw is the author of four books of <strong>poet</strong>ry, The<br />

Lightning Field, which won the 2002 FIELD Poetry Prize, Through<br />

the Window, Chalkmarks on Stone, <strong>and</strong> Taken from the River, as well<br />

as a novel, The Widening. Her work is published widely in journals,<br />

including AGNI, Antioch Review, Boston Review, Chicago Review,<br />

Conjunctions, Denver Quarterly, FIELD, The New Republic, The<br />

New Yorker, The Paris Review, Parnassus, Threepenny Review,<br />

<strong>and</strong> Triquarterly. It has also been anthologized in many venues,<br />

including Western Wind: An Introduction to Poetry, <strong>and</strong> Under 35:<br />

A New Generation of American Poets. A recipient of a Lannan<br />

Foundation Marfa Writer’s Residency, an NEA Creative Writing<br />

Fellowship, <strong>and</strong> a Pushcart Prize, Moldaw lives outside of Santa<br />

Fe, New Mexico with her husb<strong>and</strong> <strong>and</strong> daughter.<br />

Timetable for Birds<br />

Days I’ve spent brooding over this timetable--<br />

a schedule for birds I can’t identify<br />

in Kansas City, a place I’ve never been.<br />

According to it, a cedar waxwing’s routine<br />

is irregular, but a catbird can be clocked:<br />

arrival 4:30, departure 9:25 (date unspecified).<br />

Where the birds come from--where the birds go--<br />

vagaries of wind--velocity--fate--how much<br />

food (sleep) they need--are matters the timetable<br />

doesn’t address. Even what’s relatively simple,<br />

like who choreographs the interplay<br />

of multiple flight paths across the sky,<br />

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