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The Bourgeois Virtues: Ethics for an Age of Commerce

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taciturn courage against the “feminine” 229thick <strong>an</strong>d self-authored volumes, not merely bureaucratic papers written byothers. He was a m<strong>an</strong> <strong>of</strong> m<strong>an</strong>y words. He wrote about ten letters a day,150,000 in total, while Holmes, whom he appointed to the Supreme Court,m<strong>an</strong>aged a mere 10,000. A war-mongerer, then a peacemaker, a threatener,then a deal maker, a strike settler, Roosevelt talked, talked, talked from whateverpulpit he could comm<strong>an</strong>d. 18Literary men <strong>of</strong> action early in the twentieth century, especially in Americabe<strong>for</strong>e Hemingway masculinized Americ<strong>an</strong> fiction, were caught uneasilybetween feminine words <strong>an</strong>d masculine action, speaking s<strong>of</strong>tly but w<strong>an</strong>tingto be known <strong>for</strong> carrying a big stick. William Carlos Williams writes in 1913:First he said:It is the wom<strong>an</strong> in usThat makes us write—Let us acknowledge it—Men would be silent.We are not men<strong>The</strong>re<strong>for</strong>e we c<strong>an</strong> speakAnd be conscious(<strong>of</strong> the two sides)Unbent by the sensualAs befits accuracy. 19“Male poets born in the Gilded <strong>Age</strong>,” writes Guy Rotella about RobertFrost, who masculinized Americ<strong>an</strong> poetic style, “confronted . . . a businessdominatedsociety [judging] their chosen work not to be work at all, <strong>an</strong>dcertainly not m<strong>an</strong>ly work.” 20 About the same time, quoting <strong>an</strong> imaginedm<strong>an</strong>ifesto <strong>for</strong> the Writer in Death in Venice (1912), Thomas M<strong>an</strong>n wrote,“We poets ...may be heroic after our fashion, disciplined warriors <strong>of</strong> ourcraft, yet are we all like women, <strong>for</strong> we exult in passion, <strong>an</strong>d love is still ourdesire—our craving <strong>an</strong>d our shame.” 21In the minds <strong>of</strong> literary men less subtle th<strong>an</strong> Frost or M<strong>an</strong>n, such asTeddy Roosevelt, the nonwork work was all supposed to come out gloriouslyin the end, this quasi-m<strong>an</strong>ly, poetic yammering leading to undeniablym<strong>an</strong>ly violence, women cheering from the castle window, like a knightly tale<strong>of</strong> olden times, the splendid little wars <strong>of</strong> imperialism, the white m<strong>an</strong>’s burden,the charge up S<strong>an</strong> Ju<strong>an</strong> Hill—successful <strong>of</strong> course, with the boldcolonel on horseback surviving, like a boy’s game. All four <strong>of</strong> Roosevelt’ssons served in Fr<strong>an</strong>ce—as did the sons, I’ve noted, <strong>of</strong> British ducal families,noblesse oblige—<strong>an</strong>d one got the Croix de Guerre.

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