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The Bourgeois Virtues: Ethics for an Age of Commerce

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238 chapter 19or Huck Finn trying to pass in drag—but are not particularly sexualized orscorned.<strong>The</strong> dime novels referred to gender bending with a calmness that startlesthe modern reader. Deadwood Dick <strong>an</strong>d pals, male <strong>an</strong>d female, jumpedwith ab<strong>an</strong>don into <strong>an</strong>d out <strong>of</strong> drag. 19 <strong>The</strong> Adventures <strong>of</strong> Buffalo Bill around1882 in Beadle’s Boy’s Library <strong>of</strong> Sport, Story, <strong>an</strong>d Adventure, chapter 18,“A Clever Disguise,” claims that our hero captured a road agent by posing asa girl rider. “Buffalo Billy got the reward <strong>for</strong> his capture, <strong>an</strong>d a medal fromthe comp<strong>an</strong>y, <strong>an</strong>d he certainly deserved all that he received <strong>for</strong> his daringexploit in the guise <strong>of</strong> a young girl, <strong>an</strong>d a pretty one too, the boys said hemade, <strong>for</strong> he had no mustache then, his complexion was perfect, thoughbronzed, <strong>an</strong>d his waist was as small as a wom<strong>an</strong>’s.” 20 <strong>The</strong> actual Wild BillHickok, too, it appears, was notably <strong>an</strong>drogynous in behavior. But the booktaking special, disdainful note <strong>of</strong> Hickok’s queerness is not contemporary. Itlooks back from the gender-<strong>an</strong>xious date <strong>of</strong> 1930. 21Something special, in other words, happens in the half century <strong>of</strong>middle-class but tough-guy fiction in America after Owen Wister <strong>an</strong>d JackLondon. <strong>The</strong> fictional shift is especially Americ<strong>an</strong>, not French or British,though I underst<strong>an</strong>d that Argentina at the same time developed in Sp<strong>an</strong>isha similar tough-guy fiction.In <strong>The</strong> Sun Also Rises (1926) Hemingway’s narrator <strong>an</strong>d alter ego is a figure<strong>of</strong> ethical seriousness, practicing his Americ<strong>an</strong> bourgeois ethic in whichone pays the price, working <strong>for</strong> the one true sentence. He observes “a crowd<strong>of</strong> young men,” homosexuals, coming into a Parisi<strong>an</strong> d<strong>an</strong>ce hall, <strong>an</strong>d almostpermits his fears to arouse his m<strong>an</strong>ly skill at boxing: “I could see their h<strong>an</strong>ds<strong>an</strong>d newly washed, wavy hair in the light from the door. <strong>The</strong> policem<strong>an</strong>st<strong>an</strong>ding by the door looked at me <strong>an</strong>d smiled. ...I was very <strong>an</strong>gry. Somehowthey always made me <strong>an</strong>gry. I know they are supposed to be amusing,<strong>an</strong>d you should be toler<strong>an</strong>t, but I w<strong>an</strong>ted to swing on one, <strong>an</strong>y one, <strong>an</strong>ythingto shatter that superior, simpering composure.” 22Hemingway was always interested in gender roles, <strong>an</strong>d was sophisticated<strong>for</strong> his time about homosexuality. He was even sophisticated about tr<strong>an</strong>svestism<strong>an</strong>d tr<strong>an</strong>ssexuality, which was extremely unusual. Aside from theimplied tr<strong>an</strong>ssexuality in his novels, especially his posthumous last, hismother dressed him quite late in girl’s clothing <strong>an</strong>d in the 1920s <strong>an</strong>d 1930sthe works <strong>of</strong> the pioneering sexologist Havelock Ellis were among hisfavorite books. It seems like something out <strong>of</strong> his novels, but is true, that his

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