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The Bourgeois Virtues: Ethics for an Age of Commerce

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358 chapter 32A str<strong>an</strong>ge but powerful support <strong>for</strong> <strong>an</strong>timonism is Machiavelli. Berlinelsewhere argues persuasively that Machiavelli’s originality—what alarmspeople about him nearly five centuries after his death—is precisely hisuncovering <strong>of</strong> “<strong>an</strong> insoluble dilemma, the pl<strong>an</strong>ting <strong>of</strong> a perm<strong>an</strong>ent questionmark . . . that ends equally ultimate, equally sacred, may contradict eachother, that entire systems <strong>of</strong> value may come into collision without possibility<strong>of</strong> rational arbitration.” 17 <strong>The</strong> prudence <strong>an</strong>d justice <strong>of</strong> the pag<strong>an</strong>virtues, which Machiavelli admired, may conflict with love <strong>an</strong>d faith <strong>of</strong> theChristi<strong>an</strong> virtues, which he regarded with contempt. I wonder if the beliefthat virtues could not conflict is as <strong>an</strong>cient as Berlin implies. Perhaps it isonly a certain kind <strong>of</strong> Christi<strong>an</strong> who believes that rational arbitration alwaysworks. Greek tragedy accepts the conflict, <strong>for</strong> example.It’s <strong>an</strong> Itali<strong>an</strong> sensibility. If you <strong>an</strong>d your friend are not playing the samel<strong>an</strong>guage game, you will <strong>of</strong> course come to different evaluations, as Itali<strong>an</strong>sare always aware <strong>an</strong>d usually calm about. <strong>The</strong> Itali<strong>an</strong> film La meglio gioventù(2003) tells <strong>of</strong> the love that binds friends <strong>an</strong>d family despite differences.Nicola becomes a progressive psychiatrist; his brother Matteo joins the policein the fraught times <strong>of</strong> the Red Brigade. Giulia involves herself in violent revolution;her sister in law Giov<strong>an</strong>na becomes a judge volunteering to putdown the Mafia in Sicily. <strong>The</strong>se are insoluble dilemmas, radically different<strong>for</strong>ms <strong>of</strong> life. Yet without possibility <strong>of</strong> rational arbitration between theirviews, the Itali<strong>an</strong>s in the film keep faith, lotsverbondenheid. It is a grace thatis <strong>of</strong>ten hard <strong>for</strong> theoretically equipped Americ<strong>an</strong>s, blue or red, to practice.Sen has traced the surprising influence <strong>of</strong> this bit <strong>of</strong> Itali<strong>an</strong> grace fromAntonio Gramsci to Piero Sraffa to Ludwig Wittgenstein in the Cambridge <strong>of</strong>1929 down to ordinary l<strong>an</strong>guage philosophy in the 1950s. 18 GiacomoLeopardi, the early Rom<strong>an</strong>tic poet, shows <strong>of</strong>ten the usual displaced religiosityin his Rom<strong>an</strong>tic yearning <strong>for</strong> L’infinito. But he acknowledges too—indeed,states as <strong>an</strong> axiom <strong>of</strong> his reflections on life here below—that “the world is aleague <strong>of</strong> scoundrels against men <strong>of</strong> good will.” 19 Such talk is impossible fromEnglish tr<strong>an</strong>scendental monists like Coleridge <strong>an</strong>d Wordsworth, or Shelley<strong>an</strong>d Keats, according to whom truth is beauty, beauty truth, recollected intr<strong>an</strong>quility. Byron <strong>an</strong>d Browning on the other h<strong>an</strong>d talk like Leopardi, <strong>an</strong>d<strong>of</strong>ten. But Byron <strong>an</strong>d Browning, after all, were honorary Itali<strong>an</strong>s.Ordinary, nontheoretical Americ<strong>an</strong>s underst<strong>an</strong>d the Itali<strong>an</strong> point withoutphilosophical instruction. <strong>The</strong> clerisy notes with puzzlement thatAmeric<strong>an</strong>s <strong>for</strong> inst<strong>an</strong>ce are both liberal <strong>an</strong>d republic<strong>an</strong>, committed to both

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