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The Bourgeois Virtues: Ethics for an Age of Commerce

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<strong>an</strong>timonism again 357John Gray describes Berlin’s “rejection <strong>of</strong> the species <strong>of</strong> rationalism <strong>for</strong>which the dilemmas <strong>of</strong> practice are in the end illusory” as “agonistic liberalism.”In Berlin’s thinking, Gray explains, “conflict <strong>an</strong>d rivalry enter intothe ideal <strong>of</strong> liberty itself.” 14 Gray is perhaps overestimating Berlin’s theoreticalambition, but <strong>an</strong>yway the Gray/Berlin point is a good one. No <strong>for</strong>mulac<strong>an</strong> summarize the stories <strong>of</strong> varied hum<strong>an</strong> lives, nun <strong>an</strong>d soldier, French<strong>an</strong>d Chinese. Even the Greek ideal <strong>of</strong> “hum<strong>an</strong> flourishing” is a little suspect,since it subordinates a person’s choice to a universal judgment <strong>of</strong> what’sgood <strong>for</strong> her, <strong>an</strong>d it was articulated by men who disdained <strong>an</strong>d oppressedthe non-Greek, the nonfree, the nonmale.On the contrary, says Berlin, leave her alone to invent herself, as a squared<strong>an</strong>cer or opera lover. <strong>The</strong> song “Achy Breaky Heart,” words <strong>an</strong>d musiccomposed by Don Von Tress, might not be as Good from the point <strong>of</strong> view<strong>of</strong> a critique <strong>of</strong> judgment as the aria “Che gelida m<strong>an</strong>ina,” composed byLuigi Illica, Giuseppe Giacosa, <strong>an</strong>d Giacomo Puccini. An imperious Hellenewould like to intervene, to resist the closing <strong>of</strong> the Americ<strong>an</strong> mind, <strong>an</strong>dimpose taxes on square d<strong>an</strong>cers to pay <strong>for</strong> subsidies to opera. But lettingpeople alone to invent themselves in their music is a good in itself, saidBerlin—Isaiah, or Irving.Isaiah is not here advocating the Rom<strong>an</strong>tic comm<strong>an</strong>dment “Be thy essential,earnest, sincere self.” Freedom is not merely <strong>an</strong> approach to a preexistingideal self. On the contrary, such “positive freedom” has <strong>of</strong>ten excused tyr<strong>an</strong>tshelping us to find our ideal selves in front <strong>of</strong> the Inquisition or down in room101. What is being recommended by agonistic liberalism is “the goodness <strong>of</strong>choice,” as Gray puts it—not necessarily to be understood as autonomy, thatis to say, courage, but as self-creation, that is, hope <strong>an</strong>d faith.<strong>The</strong> nun creates herself as cloistered <strong>an</strong>d obedient, the opposite <strong>of</strong> <strong>an</strong>autonomous Rom<strong>an</strong>tic hero. Yet hers is in its own way a glorious life, a gloryI have witnessed in five close friends among Catholic nuns. In a famous passagein Anarchy, State, <strong>an</strong>d Utopia Robert Nozick lists thirty-six namestogether with “you, <strong>an</strong>d your parents”: Wittgenstein, Elizabeth Taylor, CaseyStengel, <strong>The</strong> Lubavitcher Rebbe, <strong>an</strong>d so <strong>for</strong>th. He asks, “Is there really onekind <strong>of</strong> life which is best <strong>for</strong> each <strong>of</strong> these people?” 15 Gray declares similarly,“<strong>The</strong> virtues <strong>of</strong> the Homeric epic <strong>an</strong>d <strong>of</strong> the Sermon on the Mount are irreduciblydivergent <strong>an</strong>d conflicting, <strong>an</strong>d they express radically different <strong>for</strong>ms<strong>of</strong> life. <strong>The</strong>re is no Archimede<strong>an</strong> point <strong>of</strong> leverage from which they c<strong>an</strong> bejudged.” 16 That’s right.

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