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The Bourgeois Virtues: Ethics for an Age of Commerce

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276 chapter 23ourselves,” or at <strong>an</strong>y rate have gone through <strong>an</strong>nealing experiences we thinkrelev<strong>an</strong>t to our own lives. 13 In a wom<strong>an</strong>ly way we are fascinated by ethicalstories, finding them in literature, in autobiography, in gossip.It is a fault in Hursthouse’s philosophically sophisticated exposition <strong>of</strong>virtue ethics that she does not acknowledge the river <strong>of</strong> narrative in whichhum<strong>an</strong>s swim. She argues persuasively that <strong>an</strong> adolescent c<strong>an</strong>not be whollyethical, that the writing <strong>of</strong> a complete ethical Code Napoléon is <strong>an</strong> unattainablegoal, that in short <strong>an</strong> educated judgment must be exercised. 14 Yethow then are we to grow into such ethical wisdom? Breadth <strong>of</strong> actual lifeexperience is clearly relev<strong>an</strong>t, though commonly not sufficient. But sois breadth <strong>of</strong> hearing <strong>an</strong>d watching <strong>an</strong>d reading the images <strong>an</strong>d stories <strong>of</strong>our culture.A story: <strong>The</strong> prison-hardened g<strong>an</strong>gb<strong>an</strong>ger <strong>an</strong>d thief Carl Upchurch hadbeen in solitary confinement at the federal penitentiary <strong>of</strong> Lewisburg, Pennsylv<strong>an</strong>ia,<strong>for</strong> two months be<strong>for</strong>e he noticed the little paperback book proppingup one leg <strong>of</strong> the table. “I pulled it out, excited to have foundsomething to alleviate the monotony. I turned it over <strong>an</strong>d stared at the coverin disgust. It was Shakespeare’s sonnets.” He put it back. But his time in solitarywas long, <strong>an</strong>d “after three more days <strong>of</strong> staring at gray, I pulled it outagain, muttering that Shakespeare was better th<strong>an</strong> nothing.”I don’t pretend that Shakespeare <strong>an</strong>d I immediately connected. I must have readthose damn sonnets twenty times be<strong>for</strong>e they started to make sense. ...I hadalmost always been contemptuous <strong>of</strong> intellect. That book <strong>of</strong> sonnets didn’t justch<strong>an</strong>ge my opinion—it quite literally ch<strong>an</strong>ged my mind. ...I w<strong>an</strong>ted to ask <strong>for</strong>more books, but I didn’t have a clue where to start. At least I knew that Shakespearehad written other stuff besides the sonnets, so I requested <strong>an</strong>ything elsethey had by him. I . . . started plowing my way through thirty-eight plays <strong>an</strong>dsome other poetry. . . . Caught up in the first flush <strong>of</strong> literary exploration,I was pretty impressed with myself. In retrospect, it was lucky I was in the cellalone....[<strong>The</strong>] guys would have burst my bubble mercilessly. 15He burst it <strong>of</strong>ten enough himself, in further explosions <strong>of</strong> macho violence.But gradually he emerged, through what he calls “de-niggerization.” Storyby story he remade his character. For example, this very tough guy wept hisway through Les Misérables.Religious ritual, which seems so idiotic to the secular mind, has the samefeel as Carl’s nth ch<strong>an</strong>ce to go straight or Phil’s nth repetition <strong>of</strong> GroundhogDay. <strong>The</strong> words <strong>an</strong>d motions <strong>of</strong> the mass give the faithful repeated ch<strong>an</strong>ces

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