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Aspect in Ancient Greek - Nijmegen Centre for Semantics

Aspect in Ancient Greek - Nijmegen Centre for Semantics

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96 Chapter 4. An analysis of aoristic and imperfective aspectwith both <strong>in</strong>terpretations. On the basis of the pr<strong>in</strong>ciple that an <strong>in</strong>terpreterchooses the strongest <strong>in</strong>terpretation available, we may at first prefer a complexive<strong>in</strong>terpretation. It is only after <strong>in</strong>terpret<strong>in</strong>g the cont<strong>in</strong>uation (118) (withthe present tense <strong>for</strong>m δακρει̋ dakrueis) that we know that Xerxes is stillcry<strong>in</strong>g at the moment of Artabanus’ speech and hence that a complexive <strong>in</strong>terpretationis not available, <strong>for</strong> it would state that the whole (=maximal) cry<strong>in</strong>geventuality is <strong>in</strong>cluded <strong>in</strong> a topic time be<strong>for</strong>e the time of Artabanus’ speechand hence that the cry<strong>in</strong>g is f<strong>in</strong>ished by that time. 8The need to wait <strong>for</strong> more <strong>in</strong><strong>for</strong>mation be<strong>for</strong>e a choice from several coercionoperators can be made is quite common. Consider (119), an example ofcoercion outside the realm of aspect:(119) #John began a novel.Sentences like (119) are discussed extensively by Pustejovsky (1991, 1993,1995). He claims that the verb beg<strong>in</strong> denotes a relation between <strong>in</strong>dividuals andactivities (properties of <strong>in</strong>dividuals). In (119), however, the second argumentof beg<strong>in</strong> is an NP and does not denote an activity. This mismatch is solvedby mapp<strong>in</strong>g the NP semantics to a novel-related activity. On Pustejovsky’saccount the <strong>in</strong><strong>for</strong>mation what are the permissible novel-related activities isprovided by the semantic entry of the word novel. The entry conta<strong>in</strong>s amongother th<strong>in</strong>gs <strong>in</strong><strong>for</strong>mation about the orig<strong>in</strong> of novels (someone writes them) andthe purpose of novels (someone reads them). Given these two novel-relatedactivities the mismatch <strong>in</strong> (119) can be resolved <strong>in</strong> two ways: (119) can beread as that John began to read a novel and that he began to write a novel.Know<strong>in</strong>g noth<strong>in</strong>g about John, both are optional. If, however, the story cont<strong>in</strong>ueswith (120), we know that the novel-related activity John is <strong>in</strong>volved <strong>in</strong>is one of writ<strong>in</strong>g.(120) He writes a page a day.Sometimes it isn’t even clear from the sentence itself that coercion isneeded. To see this, let’s first consider the famous example (121) from Nunberg(1979):(121) The ham sandwich is sitt<strong>in</strong>g at table 20.It is clear that the ham sandwich <strong>in</strong> (121) cannot refer to the sandwich itself,s<strong>in</strong>ce sandwiches don’t sit at tables. Rather the expression is re<strong>in</strong>terpreted asreferr<strong>in</strong>g to the person who ordered a ham sandwich. But let’s now have alook at (122) (from Egg 2005:122):8 Here I assume that with a sequence of aorists, the topic time of the eventuality at handfollows upon the topic time of the last mentioned eventuality. I will return to this <strong>in</strong> chapter6, which is devoted to the way the topic time of a sentence is determ<strong>in</strong>ed <strong>in</strong> a discourse.

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