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The Facts on File Dictionary of Allusions - Green Valley High School

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Vanderbilt<br />

488<br />

and sacked Rome in 455, causing widespread<br />

destructi<strong>on</strong> to great works <strong>of</strong> art and buildings.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> Vandals were especially notorious for looting<br />

and laying waste the lands that fell into their hands.<br />

“Though she did think that Uncle Tom had been<br />

worse than any vandal in that matter <strong>of</strong> selling her<br />

lover’s magnifi cent works, still she was ready to<br />

tell <strong>of</strong> his generosity” (Anth<strong>on</strong>y Trollope, Ayala’s<br />

Angel, 1881).<br />

Vanderbilt (vanderbilt) A very wealthy pers<strong>on</strong>,<br />

a tyco<strong>on</strong>. Cornelius Vanderbilt (1794–1877) established<br />

his family’s fortune in the railroad and shipping<br />

businesses. He went <strong>on</strong> to use much <strong>of</strong> his vast<br />

wealth for charitable purposes. You’d think he was a<br />

Vanderbilt the way he has been throwing his m<strong>on</strong>ey<br />

around.<br />

van Gogh (van go) A talented artist, especially<br />

<strong>on</strong>e who is mentally anguished. Dutch artist Vincent<br />

van Gogh (1853–90) suffered from depressi<strong>on</strong><br />

that was intensifi ed by lack <strong>of</strong> recogniti<strong>on</strong> as an<br />

artist during his own lifetime, which ended with<br />

his suicide at the age <strong>of</strong> 37. He has since been<br />

hailed as a leader <strong>of</strong> the Postimpressi<strong>on</strong>ists and as<br />

<strong>on</strong>e <strong>of</strong> the world’s greatest artists <strong>of</strong> all time. His<br />

paintings sell pretty well but let’s face it, he’s no van<br />

Gogh.<br />

Vanity Fair A town or other place that is notable<br />

for corrupti<strong>on</strong> and vice, or the world <strong>of</strong> men, with<br />

all its follies and lusts, generally. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase comes<br />

from pilgrim’s progress (1678, 1684) by John<br />

Bunyan (1628–88), in which Vanity Fair is the<br />

name given to a fair held in the town <strong>of</strong> Vanity, the<br />

attracti<strong>on</strong>s <strong>of</strong> which include all manner <strong>of</strong> vice and<br />

sin. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is best known today as the title <strong>of</strong> a<br />

novel by William Makepeace Thackeray (1811–<br />

63), published 1847–48, in which he similarly<br />

satirizes the follies <strong>of</strong> c<strong>on</strong>temporary society. He<br />

feared that if his daughters were set loose in the world<br />

they would so<strong>on</strong> fall prey to the temptati<strong>on</strong>s <strong>of</strong> Vanity Fair.<br />

vanity <strong>of</strong> vanities An act or belief that is c<strong>on</strong>sidered<br />

entirely futile. <str<strong>on</strong>g>The</str<strong>on</strong>g> word vanity today generally<br />

signifi es pers<strong>on</strong>al pride or c<strong>on</strong>ceit, but in its<br />

original biblical c<strong>on</strong>text the word suggested rather<br />

the noti<strong>on</strong>s <strong>of</strong> meaninglessness, emptiness, futility,<br />

or idolatry. <str<strong>on</strong>g>The</str<strong>on</strong>g> word appears many times in<br />

the Bible, notably in Ecclesiastes 1:2: “Vanity <strong>of</strong><br />

vanities, saith the Preacher, vanity <strong>of</strong> vanities; all is<br />

vanity.” <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is sometimes rendered in<br />

Latin as vanitas vanitatum or in another quotati<strong>on</strong><br />

from the same verse as all is vanity. “Oh how<br />

vain it is, the vanity <strong>of</strong> vanities, to live in men’s<br />

thoughts instead <strong>of</strong> God’s!” (Lytt<strong>on</strong> Strachey, Eminent<br />

Victorians, 1918).<br />

Van Winkle, Rip See rip van winkle.<br />

veil <strong>of</strong> Isis See lift the veil <strong>of</strong> isis.<br />

veil <strong>of</strong> the temple rent A revelati<strong>on</strong> or a moment<br />

<strong>of</strong> revelati<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g> image <strong>of</strong> a torn veil as a symbol<br />

<strong>of</strong> revelati<strong>on</strong> is biblical in origin, referring to the<br />

moment <strong>of</strong> Christ’s death <strong>on</strong> the cross, when<br />

“behold, the veil <strong>of</strong> the temple was rent in twain<br />

from the top to the bottom” (Matthew 27:51).<br />

(See also Mark 15:38, Luke 23:45, and Hebrews<br />

6:19–20, 9:6–9, and 10:19–20.) <str<strong>on</strong>g>The</str<strong>on</strong>g> veil in questi<strong>on</strong><br />

was the curtain in the Temple at Jerusalem<br />

that separated the Holy Place from the holy <strong>of</strong><br />

holies (the innermost room <strong>of</strong> the tabernacle)<br />

(see Exodus 26:31). “<str<strong>on</strong>g>The</str<strong>on</strong>g> fact that the curtain prevented<br />

ordinary worshipers from entering the<br />

‘Most Holy Place’ came to be seen as pointing to<br />

the much deeper separati<strong>on</strong> between God and sinful<br />

humanity. <str<strong>on</strong>g>The</str<strong>on</strong>g> curtain thus came to be a symbol

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