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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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Chernobyl<br />

90<br />

Chernobyl (chernobbl) A nuclear accident,<br />

especially <strong>on</strong>e <strong>on</strong> a large scale. <str<strong>on</strong>g>The</str<strong>on</strong>g> reference is to<br />

the nuclear power stati<strong>on</strong> at Chernobyl in the former<br />

Soviet Uni<strong>on</strong>, which exploded <strong>on</strong> April 26,<br />

1986, resulting in around 250 (indirectly, possibly<br />

many more) deaths, the evacuati<strong>on</strong> <strong>of</strong> a substantial<br />

area <strong>of</strong> what is now Ukraine, and radioactive<br />

c<strong>on</strong>taminati<strong>on</strong> <strong>of</strong> large parts <strong>of</strong> Eu rope. <str<strong>on</strong>g>The</str<strong>on</strong>g> reactor<br />

itself was subsequently encased in c<strong>on</strong>crete to<br />

prevent further radioactive leaks. <str<strong>on</strong>g>The</str<strong>on</strong>g> incident,<br />

which remains the worst nuclear accident ever to<br />

take place, is <strong>of</strong>ten referred to in discussi<strong>on</strong>s <strong>of</strong> the<br />

dangers <strong>of</strong> nuclear power, but is also invoked in<br />

wider c<strong>on</strong>texts. Some claim that the infl uence <strong>of</strong> tele visi<strong>on</strong><br />

has led to western civilizati<strong>on</strong> facing a cultural<br />

Chernobyl. See also china syndrome; meltdown;<br />

three mile island.<br />

cherub (cherăb) A sweet, angelic child. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

word was used in the Bible to refer to a class <strong>of</strong><br />

angels attending up<strong>on</strong> the thr<strong>on</strong>e <strong>of</strong> God in heaven<br />

(for example, Ezekiel 10:2–7). <str<strong>on</strong>g>The</str<strong>on</strong>g>y are generally<br />

represented in art as plump, winged babies. “To<br />

think o’ that dear cherub! And we found her wi’<br />

her little shoes stuck i’ the mud an’ crying fi t to<br />

break her heart by the far horse- pit” (George Eliot,<br />

Adam Bede, 1859).<br />

che sarà, sarà (kay sbrah sbrah) What ever will be,<br />

will be. This familiar ac cep tance <strong>of</strong> the inevitable,<br />

in Italian, was the motto <strong>of</strong> the dukes <strong>of</strong> Bedford,<br />

although it became more widely familiar in the<br />

form que sera, sera in the 1950s as the title <strong>of</strong> a<br />

pop u lar s<strong>on</strong>g by Jay Livingst<strong>on</strong> and Ray Evans and<br />

recorded by Doris Day. It wasn’t what I wanted, but<br />

che sarà, sarà.<br />

Cheshire Cat (chesher) Resembling in some way<br />

the Cheshire Cat in Lewis Carroll’s Alice’s Adventures<br />

in W<strong>on</strong>derland (1865). <str<strong>on</strong>g>The</str<strong>on</strong>g> Cheshire Cat is remarkable<br />

both for its wide smile and (in Carroll’s work)<br />

for its ability to vanish repeatedly until all that is<br />

left is its grin. A pers<strong>on</strong> who smiles broadly, especially<br />

at some private joke or satisfacti<strong>on</strong>, is likely<br />

to be said to grin (or smile) like a Cheshire Cat.<br />

Though made famous by Carroll, the Cheshire Cat<br />

was not his inventi<strong>on</strong>, being referred to in literature<br />

<strong>of</strong> the late 18th century, and possibly earlier.<br />

It has been suggested that the c<strong>on</strong>cept <strong>of</strong> the<br />

Cheshire Cat may derive from the custom <strong>of</strong><br />

stamping Cheshire cheeses with the image <strong>of</strong> a<br />

grinning cat. She came into the kitchen, smiling like a<br />

Cheshire Cat and brandishing the letter that said she’d<br />

w<strong>on</strong> a scholarship.<br />

chiaroscuro (keearbskooro) Light and shade,<br />

especially in paintings. From the Italian for “lightdark,”<br />

the term became current during the<br />

renais sance with reference to c<strong>on</strong>temporary<br />

painting but has since been applied more widely.<br />

“But I was getting a trifl e chilled—just a trifl e, you<br />

know, and <strong>on</strong> this beautiful day—he waved a<br />

gloved hand at the brilliant sky and the buildings,<br />

dazzling in a chiaroscuro <strong>of</strong> st<strong>on</strong>e and snow, the<br />

snow making the grey st<strong>on</strong>e look black, the st<strong>on</strong>e<br />

making the snow blindingly pure” (Peter Carter,<br />

Bury the Dead, 1986).<br />

chicken in every pot, a <str<strong>on</strong>g>The</str<strong>on</strong>g> prospect <strong>of</strong> prosperity<br />

for all. <str<strong>on</strong>g>The</str<strong>on</strong>g> fi rst expressi<strong>on</strong> <strong>of</strong> this assurance to<br />

a whole nati<strong>on</strong> appears to date from the late 16th<br />

century, when Henry IV <strong>of</strong> France told the French<br />

people: “I wish that there would not be a peasant<br />

so poor in all my realm who would not have a<br />

chicken in his pot every Sunday.” Centuries later,<br />

in 1928, the phrase became linked with U.S. presidential<br />

candidate Herbert Hoover—although in<br />

fact he never actually said it in quite this form.

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