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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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corners <strong>of</strong> the earth<br />

104<br />

corners <strong>of</strong> the earth <str<strong>on</strong>g>The</str<strong>on</strong>g> remotest, most distant<br />

parts <strong>of</strong> the globe. <str<strong>on</strong>g>The</str<strong>on</strong>g> noti<strong>on</strong> that the earth has<br />

corners comes from Isaiah 11:12, which describes<br />

how God will “assemble the outcasts <strong>of</strong> Israel, and<br />

gather together the dispersed <strong>of</strong> Judah from the<br />

four corners <strong>of</strong> the earth.” “ ‘I can run out <strong>of</strong> the<br />

house,’ cried her ladyship, wildly. ‘I can fl y to the<br />

uttermost corners <strong>of</strong> the earth; but I can not hear<br />

that pers<strong>on</strong>’s name menti<strong>on</strong>ed!’ ” (Wilkie Collins,<br />

Man and Wife, 1870).<br />

cornucopia (kornbkopeeb) A great abundance <strong>of</strong><br />

something; a plentiful supply, especially <strong>of</strong> food<br />

and drink. <str<strong>on</strong>g>The</str<strong>on</strong>g> reference is to Greek mythology<br />

and <strong>on</strong>e <strong>of</strong> the horns <strong>of</strong> Amalthea, the goat that<br />

suckled Zeus. Zeus presented the horn to the<br />

daughters <strong>of</strong> Melisseus, king <strong>of</strong> Crete, and it overfl<br />

owed immediately with what ever food or drink<br />

its own ers desired. Also known as the horn <strong>of</strong><br />

plenty, the cornucopia subsequently became a<br />

symbol <strong>of</strong> plenty widely used in art and literature.<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g> last time they had had a big basket with them<br />

and all their Christmas marketing to do—a roast<br />

<strong>of</strong> pork and a cabbage and some rye bread, and a<br />

pair <strong>of</strong> mittens for Ona, and a rubber doll that<br />

squeaked, and a little green cornucopia full <strong>of</strong><br />

candy to be hung from the gas jet and gazed at by<br />

half a dozen pairs <strong>of</strong> l<strong>on</strong>ging eyes” (Upt<strong>on</strong> Sinclair,<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> Jungle, 1906).<br />

corruptible and incorruptible That which is<br />

fl awed may yet prove perfect. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong><br />

comes from 1 Corinthians 15:42–44, 52–54, in<br />

which Paul discusses the resurrecti<strong>on</strong>, through<br />

which the weak and perishable body is made str<strong>on</strong>g<br />

and imperishable: “It is sown in corrupti<strong>on</strong>, it is<br />

raised in incorrupti<strong>on</strong>: it is sown in dish<strong>on</strong>our, it is<br />

raised in glory” (1 Corinthians 15:42–43). “Now<br />

that the incorrupti<strong>on</strong> <strong>of</strong> this most fragrant<br />

ambergris should be found in the heart <strong>of</strong> such<br />

decay; is this nothing? Bethink thee <strong>of</strong> that saying <strong>of</strong><br />

St. Paul in Corinthians, about corrupti<strong>on</strong> and incorrupti<strong>on</strong>;<br />

how we are sown in dish<strong>on</strong>our, but raised<br />

in glory” (Herman Melville, Moby- Dick, 1851).<br />

Corybantian (koreebanteebn) Wild, ecstatic,<br />

noisy, or unrestrained in manner. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is<br />

to the Corybantes <strong>of</strong> Greek mythology, who were<br />

attendants <strong>of</strong> the goddess Cybele and were well<br />

known for their frenzied rituals, which featured<br />

the repeated crashing <strong>of</strong> cymbals and wild dancing.<br />

Legend had it that the infant Zeus escaped<br />

death at the hands <strong>of</strong> his father when his crying<br />

was drowned out by the noise made by the Corybantes.<br />

“Again, at Eleusis, home <strong>of</strong> Ceres, I see<br />

the modern Greeks dancing, I hear them clapping<br />

their hands as they bend their bodies, I hear the<br />

metrical shuffl ing <strong>of</strong> their feet. I see again the<br />

wild old Corybantian dance, the performers<br />

wounding each other” (Walt Whitman, Leaves <strong>of</strong><br />

Grass, 1855).<br />

Coryd<strong>on</strong> (koridbn) A rustic or shepherd. A lovesick<br />

shepherd <strong>of</strong> this name appears in Virgil’s<br />

Eclogues (42–37 b.c.). “ ‘Gad, what a debauched<br />

Coryd<strong>on</strong>!’ said my lord—what a mouth for a<br />

pipe!’ ” (William Makepeace Thackeray, Vanity Fair,<br />

1847–48).<br />

Coryphaeus (korifeebs) A leader, especially the<br />

most active member <strong>of</strong> a board, expediti<strong>on</strong>, etc.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> term was originally reserved in ancient Greek<br />

theater for the leader <strong>of</strong> the chorus. By extensi<strong>on</strong>,<br />

the leading dancer <strong>of</strong> a ballet troupe may sometimes<br />

be termed a Coryphée. This Coryphaeus dominated<br />

the meeting, and by the end <strong>of</strong> the eve ning few <strong>of</strong><br />

the directors had any doubts about which way they<br />

should vote.

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